When Lonnie Franklin Jr. was arrested in South Central Los Angeles in 2010 as the suspected murderer of a string of young black women, police hailed it as the culmination of 20 years of investigations. Four years later documentary filmmaker Nick Broomfield took his camera to the alleged killer’s neighborhood for another view.

Author Stephen King discusses the various types of horror films and why they are so popular with moviegoers.

On a fateful San Francisco night in the early 60s, Condor nightclub performer Carol Doda was lowered to the stage on a floating piano, topless. Word spread quickly, setting off a wave of controversy and delight, with raids soon to follow. There was even a trial for the new celebrity. Doda’s dry wit and charisma made her an instant sensation of the night club scene: an empowered woman in full control. Or so it seemed.

Jonathan Agassi is a superstar in the world of gay porn. He lives the wild life in Berlin and Tel Aviv, where he works in films and live shows and has a second job as an escort. Sex, drugs and rock ‘n’ roll – and all of it in large quantities. But the industry is tough, and behind the confident smile is an insecure boy with an absent father and a very close relationship to his broad-minded mother. The contrast to the superficial success grows and grows, but in the world of porn there is no room for crises. Here, you must deliver the goods, every single time – and every single day. Otherwise you are done. The identity crisis is smouldering, Agassi is floundering and drugs become tempting as an easy way out. But how long can he hold onto himself? Over the course of eight years, and with much mutual trust, the director Tomer Heymann has followed Agassi right up to the culmination of his life’s biggest crisis.

Once brushed aside – even deemed criminal – graffiti has since paved the way for many successful, credible artists today. With Duality, these street artists– some for the first time, some maintaining a strict code of anonymity – discuss their journeys from “tagging” to becoming respected icons in the cities they serve with pieces that are awe-inspiring in scope, size and complexity. They have collectively proven that their genre of art is something that can influence culture, evoke emotion, inspire, and cultivate community. Their rise has not been without challenges and criticism but today they are admired by throngs of fans and oftentimes the art they produce brings in revenue for household brands and worldwide corporations. No longer relegated to back alleys, their works can be found on main streets, on the faces of landmark buildings and in fine art galleries.

Jack Whitehall invites his notoriously stuffy father onstage in London’s West End for a Christmas comedy extravaganza, complete with celebrity guests.

Mom and Me takes a look at tough guys and the even tougher women who raise them. Set in Oklahoma City, apparently voted the manliest city in the United States, this creative documentary from Irish director Ken Wardrop (“His & Hers”) chronicles the relationships between ten sons and their mothers.

Warren Miller’s Flow State is a place of such singular focus and connection with the environment that, in this place, the faster you ride, the slower time passes. The Flow State exists anywhere crisp winter air shocks your lungs and sunlight refracts snowflakes, allowing you to emerge from this state improved – happier, more confident and more aware of your surroundings. So buckle up, because Warren Miller’s 63rd film will take you into the zone…the moment…the groove…the center…the Flow State.

The cast and crew of all four Psycho films recall their time working on the influential horror series, and modern masters of horror reminisce on what the movies stirred in them.

Spend a day at Tokyo’s Tsukiji Market, the biggest wholesale seafood market in the world.

This documentary delves into the unanswered questions surrounding the trial of Jessica Wongso — years after the death of her best friend, Mirna Salihin.

A lavish documentary film of Queen Elizabeth II’s Coronation in 1953.