DIE EXPATS explores love, loss and lust, identity and modern relationships. It is a story of four people in search of reclaiming a sense of self while navigating the knotted, overlapping space they occupy. When said space begins closing in around them, they realize the only way to get out, and not be squashed by it, is to examine their own intentions, and be willing to let go of the past, and each other. The saying goes, people come to Berlin to find what they want; but for this group, Berlin is the bearer of disillusionment. Perhaps in finding out what they don’t want, Vivian, Nate, Sienna and Andreas finally uncover what it is they each truly need.
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A drama centred on three people: Sarah is a barista who finds the love of her life in Mark. Her mother Barbara depends on Mark to keep her in Sarah’s life while resenting her daughter’s deep love for him. When severely traumatised by the sudden death of Mark Sarah’s relationship with her mother finally cracks. Now faced with losing her struggle to cope Sarah feels Mark’s presence return. Based on true events Transition is the story of a love that transcends this realm and the strength of human character in survival.
When shooting the dawn one morning, photographer Alex Santiago looks into the rising sun and hurts his eyes. As a result, he begins to see spots and blurs. When the spots become a face – an apparition of a woman – he embarks on a journey to discover who she is.
This darkly comedic drama follows the erotic exploits of Jonathan Barrows, a narcissistic college professor whose sexual fascination with his own body leads him to down a path of increasingly disturbed behavior. Forsaking priests and others who lust for him, Barrows soon pays a high price for his excessive self-love.
When 9 first comes to life, he finds himself in a post-apocalyptic world. All humans are gone, and it is only by chance that he discovers a small community of others like him taking refuge from fearsome machines that roam the earth intent on their extinction. Despite being the neophyte of the group, 9 convinces the others that hiding will do them no good.
Tragedy doesn’t come any more Dickensian in tone or Shakespearian in scope than this dark social drama of the disintegration of a little family of four. A series of small debts triggers the swift domino effect that unleashes chaos on a well-meaning working class dad who has the bad judgment to speak truth to power.
Green Days by the River is one of the most best-loved works of Caribbean literature. Written by lauded Trinidadian author Michael Anthony in 1967, the book illuminates the formative years of a boy growing up on the island. This coming of age story has enthralled readers all over the world for decades, and it is now being brought to life . For the first time, this beloved tale will be brought to film screens, introducing a whole new generation to the wonder of a country and a boy on the cusp of great change. This film seeks to break new ground in Caribbean film-making, showcasing the rich talent and boundless promise of our people.
A man chooses an old widower’s home for his first robbery, kicking off a set of events that have them both look at life in a new way and with new companions in the starkness of the city of Mumbai.
When a reclusive, artistic 11-year-old boy ventures from the solace of his bedroom, he experiences more than he expected, and his difficult single mother finds a meaningful connection in an unexpected place.
Mexican horror film about an American painter named Mary (Cristina Ferrare) who is living in Mexico where she sells her works and also kills people for their blood. It turns out Mary is a vampire but not the traditional one with fangs. Since she has no fangs she must stab or slash the throats of her victims but soon she has a new man (David Young) in her life as well as a mysterious man (John Carradine) in black who appears to be doing the same type of murders.
After failing to make it on Broadway, April returns to her hometown and reluctantly begins training a misfit group of young dancers for a competition.
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