A struggling comedy duo discovers that surviving the apocalypse is almost as difficult as surviving in Hollywood.
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When ‘Vogler’s Magnetic Health Theater’ comes to town, there’s bound to be a spectacle. Reading reports of a variety of supernatural disturbances at Vogler’s prior performances abroad, the leading townspeople (including the police chief and medical examiner) request that their troupe provide them a sample of their act, before allowing them public audiences. The scientific-minded disbelievers try to expose them as charlatans, but Vogler and his crew prove too clever for them.
Sara’s one of the cool kids… but she’s totally terrified of losing her status. She’d be a lot more secure if she could just win back her super-hot ex, Skyler, but he’s not interested unless they move to the next level… She decides to take the plunge — but something about Skyler changed on his summer trip to Mexico… something in his nards. Sara wakes the next morning only to find that she’s nine-months pregnant. Desperate to keep this under wraps, she turns to the only person she can trust: her nerdy ex-best friend, Hayley. But after a trip to the clinic results in Sara birthing something other-worldly, the girls realize their night is only just getting started…
In this variation on director Vadim’s own, more acclaimed Et Dieu Créa La Femme (1956, the same title in French), the vamp Robin Shea marries charming carpenter Billy Moran, only to get out of prison, but soon decides to seduce James Tiernan, who runs for state governor.
Tracy, a lonely college freshman in New York, is rescued from her solitude by her soon-to-be stepsister Brooke, an adventurous gal about town who entangles her in alluringly mad schemes.
While working underground to fix a water main, Brooklyn plumbers—and brothers—Mario and Luigi are transported down a mysterious pipe and wander into a magical new world. But when the brothers are separated, Mario embarks on an epic quest to find Luigi.
Tired of the online dating world, a hopeful woman decides to give it one last try with a mysterious stranger who shares her love for scary films.
A small-time con artist and a Hawaiian real estate developer’s mischievous, enterprising mistress team up for a potential $200,000 score.
Based on the best selling manga, Haruna Nagashima (Ito Ono) devoted herself to softball while in middle school. Now that she is in high school, Haruna believes its time find a boyfriend. Unfortunately for Haruna, she didn’t pay attention to trends and is now clueless on how to attract a boy. Through a fortuitous event, Haruna encounters popular upperclassman You Komiyama (Junpei Mizobata) Haruna asks You to teach her how to become attractive to boys. You agrees but with one catch. She can’t fall in love with him …
Judy at the Palace. Sinatra at Carnegie Hall. Streisand at the Garden. Stritch on Broadway. Legendary performances come along so rarely. Elaine Stritch At Liberty is an autobiographical one-woman show written by Elaine Stritch and John Lahr. The show consists of spoken monologues from Stritch following her life and career, interspersed with showtunes and pop standards which compliment her stories. Many of these songs had been originated by Stritch in major Broadway productions, such as “The Ladies Who Lunch” from Company and “Civilization” from Angel In The Wings. Her experiences and relationship with show business are focal points, but she also explores more intimate, personal themes like her alcoholism and romantic relationships.
