Six young college hopefuls vacationing and partying in Lithuania get more than they bargained for when they unwittingly get caught up in a maniacal tattoo artist’s fiendish side business.

Death Valley is a place where drunk college kids can run wild on weekends without fear of the police shutting them down. This small desert town is home to a local Biker gang known as the Legion of Outlaws, an MC who traffic drugs and prostitution through this quiet community. Death Valley is also a place where getting attacked by a werewolf is nothing out of the ordinary especially during a full moon.

In this reimagining of the 2010 Mexican film of the same name, director Jim Mickle paints a gruesome portrait of an introverted family struggling to keep their macabre traditions alive, giving us something we can really sink our teeth into.

Howard and Eli have graduated from gruesome basement antics to pirating a cable TV channel for the purpose of furthering their brand of homegrown depravity, madness and murder. With the help of ‘do-it-yourself’ violence videos sent in by adoring fans and a beautiful guest actress unaware of the pain in store for her, the sadistic hosts guarantee the “Bloodiest Show on Earth!”

For siblings Brie, Daniel, Crew, and Jess, family has always come first. But when Crew (Daniel DiTomasso) invites his girlfriend Sara (Kate French) into the family, distrust begins to bubble between the siblings. Seeing Sara as a threat, Brie (Fiona Dourif) grows spiteful and increasingly suspicious that she is being replaced. That is, until the night Crew attempts to murder her in their family house. Traumatized, Brie is sent to a mental facility where she is tormented by hallucinations of Crew from the night of the attack. But when the visions begin to bleed into reality, Brie starts to fear that it’s not just her sanity that’s in danger, and she flees the facility. In a frantic attempt to return to her remaining siblings and warn them, Brie begins to uncover a trail of gory, sinister secrets that lead her to believe that she might not know her family as well as she thought.

A woman returns to her family home and discovers it to be inhabited by monsters.

Forty-nine days after George’s death his wife, Alicia, calls friends who wanted to read over the letter that he left before he died. It is a very affectionate and moving letter, which addresses each of those present, knowing that his death is near. Little do they know that they are part of a ritual prepared by Alicia, with the connivance of Santiago, the closest friend of George, to bring him back to life – and that ritual, full of ghostly apparitions, traumatic and terrifying, will be gaining further life from each of the guests. The surprising twists in the plot will lead up to the most unexpected of endings.

Scholar Dr. Black’s seemingly mundane assignment of sorting through the assets of the Barchester Cathedral library takes an eerie turn when he comes across the papers of the late Archdeacon, who plotted to gain his position through murder. However, he soon comes to discover something truly horrific about the wooden choir stalls in the church, which are tied to a famous local tree and a sinister local legend.

A children’s book illustrator inhabits a twilight world of shifting reality and illusion, where cruelty and rampant evil do battle with his better instincts, and sanity is a question of perception.

Unable to satisfy his sexual desires with his wife, Bill regularly visits prostitutes. Afterwards, he ties up and tortures them in various ways before killing them. Bill believes that if they die, they will be reincarnated and have a better life. He murders over a dozen people. One day, a young woman named Jade comes to stay with Bill’s family. He falls in love with her but is afraid that he will kill her, so he makes her leave. Jade has nowhere to go and starts working as a prostitute. When Bill finds Jade doing this, he has sex with her and gets her pregnant.

When a producer suggests that screenwriter Grace Mitchel pen a horror story set in an old hotel, the lond-abandoned Lyndora seems theperfect inspiration. The turn-of-the-century hotel is known for its rough and seedy past – the doors to its rooms sealed 50 years ago following a series of gruesome murders – and local lore says it’s haunted. Despite the reservations of family and friends, an undaunted Grace takes up residence in the eerie inn to immerse herself in writing … But now that the doors are open, the secrets of the past begin to emerge. As disturbing, but seemingly explicable, events begin to escalate, Grace struggles to define reality from insanity and begins a descent into darkness from which some will never return.

Mia, an ex-prostitute, is trapped in a loveless marriage with the abusive Quan (Sunny Pang, who also stars in Headshot in this year’s Festival lineup), a butcher who runs a roast meat shop. When she meets sensitive funeral director Wu, their passion for one another escalates into an affair. But the path to true love is fraught with jealousy, forcing someone to make a deadly move.