A relentlessly-paced hybrid of gritty crime thriller and Lovecraftian supernatural horror, “The Devil’s Mile” follows a trio of kidnappers who take an ill-advised detour en route to deliver their hostages – two teenage girls – to their mysterious and powerful employer. When they accidentally kill one of the girls during a botched escape attempt, their simmering mistrust explodes into shocking violence. But what they thought was their worst case scenario is only the beginning, as they are engulfed by the hellish forces that haunt the road – a road they realize they may never escape. Now captors and captive must fight together to escape the monstrous forces pursuing them and somehow survive …
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Set between Episode II and III the Clone Wars is the first computer animated Star Wars film. Anakin and Obi Wan must find out who kidnapped Jabba the Hutts son and return him safely. The Seperatists will try anything to stop them and ruin any chance of a diplomatic agreement between the Hutt’s and the Republic.
When a trio of struggling and increasingly desperate thirty-something actors – Alberto, Molly and Richard – discover that A-list talent agent Carlo Lombardi is taking classes at the yoga studio where Molly teaches, they concoct the perfect scheme to convince him of their talent: Lay siege to the yoga studio, tie Carlo up, and with a gun to his head give the performance of their lives. A perfect plan! Now what could go wrong?
A shipwreck victim (John Loder) washes up on a homicidal big-game hunter’s (Edgar Barrier) Caribbean island.
The Djinn having been released from his ancient prison seeks to capture the soul of the woman who discovered him, thereby opening a portal and freeing his fellow Djinn to take over the earth.
Lucy travels to an isolated house in the forest to wait for her sister. They have worked out a risky scheme for their future and all she needs to do is sit it out. However a sinister presence may have something different in mind.
The evil Gen. Rancor has his sights set on world domination, and only one man can stop him: Dick Steele, also known as Agent WD-40. Rancor needs to obtain a computer circuit for the missile that he is planning to fire, so Steele teams up with Veronique Ukrinsky, a KGB agent whose father designed the chip. Together they try to locate the evil mastermind’s headquarters, where Veronique’s father and several other hostages are being held.
A bunch of high school misfits in Hawaii, introduced by their new teacher, attend a science fair in which they draw up inspiration to build their own solar car and win a trip to compete in the 1990 World Solar Challenge in Australia.
Taking his inspiration from the biggest scandal in Japan’s police history, Kazuya Shiraishi has created a massive and sinister crime epic about the grand forces of corruption that brings to mind the best of Kinji Fukasaku’s yakuza movies (Cops vs. Thugs among others). Starting in 1970s Hokkaido like a nervous Japanese Starsky & Hutch–chan, the film charts the moral descent of Detective Moroboshi (Go Ayano) over three decades. Green in years but already hard‐grained and ready to play rough, the young cop quickly gets a bit too cozy with the other side of the law when his senior colleague Murai (Pierre Taki) teaches him the ropes and ruts of the police business. Soon, he swaggers and rants through the streets of Sapporo a lean, mean, sex‐crazy bully, indistinguishable from a yakuza. Burning with the same blaze as the hard‐boiled classics of yore, Twisted Justice scorches away the sleekness and macho self‐congratulation of the genre.
A young couple find themselves in an unnerving situation with a mysterious stalker.
Two Army officers, an alcoholic ex-Confederate soldier and a womanizing Mexican travel to Mexico on a secret mission to prevent a megalomaniacal ex-Confederate colonel from selling a cache of stolen rifles to a band of murderous Apaches.
As a young child Luther The Geek or “The Freak” witnesses a band of men goading a geek (a man who bites off chicken’s heads and drinks the blood) into performing. In the ensuing hullabaloo, Luther bites his lip and likes the taste of blood. Flash forward some thirty years and a parole board is meeting to discuss Luther’s release. It seems the cheeky blighter has been murdering folk in the meantime. A dopey parole board trainee sides with the liberals and so Luther is unleashed, except now he has a special pair of customized metal teeth. Luther then proceeds to “bite the heads off” of many hapless folk until the tense ending. This movie is most notable for it’s bare dialog, whole stretches pass without a sound. Most of the audio is composed of Luther clucking insanely like a chicken.
