Seven strangers, each with a secret to bury, meet at Lake Tahoe’s El Royale, a rundown hotel with a dark past in 1969. Over the course of one fateful night, everyone will have a last shot at redemption.

Not Available

In a modern America where witches are real and witchcraft is illegal, a sheltered teenager must face her own demons and prejudices as she helps two young witches avoid law enforcement and cross the southern border to asylum in Mexico.

The undead are former militia soldiers that are now indestructible snipers. A widow goes looking for the body of her husband but comes across a corpse that wants to end his new unjust life.

Looking for work, Aaron comes across a cryptic online ad: “$1,000 for the day. Filming service. Discretion is appreciated.” Low on cash and full of naiveté, he decides to go for it. He drives to a cabin in a remote mountain town where he meets Josef, his cinematic subject for the day. Josef is sincere and the project seems heartfelt, so Aaron begins to film. But as the day goes on, it becomes clear that Josef is not who he says, and his intentions are not at all pure.

Farmer Vincent kidnaps unsuspecting travellers and is burying them in his garden. Unfortunately for his victims, they are not dead. He feeds his victims to prepare them for his roadside stand. His motto is: It takes all kinds of critters…to make Farmer Vincents fritters. The movie is gory, but is also a parody of slasher movies like Last House on the Left.

After losing her mother in a tragic accident, Beckett Warner realizes that her troubles may be far worse—her school is run by a coven of beautiful women who perpetuate their youth by drinking the blood of virgins.

On a secluded farm in a nondescript rural town, a man is slowly dying. His family gathers to mourn, and soon a darkness grows, marked by waking nightmares and a growing sense that something evil is taking over the family.

When a bus-load of women’s college soccer players get stranded on their way to a bikini car-wash fundraiser, they decide to set-up shop in front of an abandoned gas station on the edge of town. Little do they know the place is the stalking-grounds for a homicidal maniac mechanic named Moe.

When an after party goes wrong, new friends Sadie and Jessica must hide a dead body. Jessica has a dirty secret to hold over Sadie. The police piece together clues that lead to Sadie, putting people in Sadie’s life in danger.

When failed comic Gus Lawton pushes his wife too far, he finds himself chasing her across the country to the abandoned farmhouse of her childhood. Given the choice between losing Deborah or living by her plan, Gus gets busy fixing up the old place. Starting with the septic tank. In a moment of desperation, he digs up the very thing he needs, a zombie who’ll do anything he wants… for now, anyway. As the zombie’s own desires threaten their plans, Gus and Deborah come together in a desperate struggle to get what they want, regardless of the cost. Zombie Dearest is a genre-bender that speaks to the “living dead” – the hunger and the horror – in all of us. It’s a wild ride that’s both smartly comic and deeply quirky.

A young biologist, Mary Jane, who focuses on lepidoptery (the study of moths and butterflies), doesn’t have the perfect life; she does however have what she considers the perfect son. Tragedy strikes and Mary Jane’s world is disturbingly turned upside down. Fleeing the troubled “real world” she embarks upon a solitary bush project. In the isolated and surreal landscape Mary Jane starts experiencing strange phenomena. The opportunity to be a mother again presents itself, only it comes at a cost for Mary Jane and what’s left of her family.