Frank and Lindsay two emotionally broken people, must attend a destination wedding. They meet and, over the course of the weekend and against all odds, find themselves drawn to one another even as they are repulsed by one another.
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When a Supreme Court judge commits suicide and his secretary is found murdered, all fingers point to Carl Anderson (Liam Neeson), a homeless veteran who’s deaf and mute. But when public defender Kathleen Riley (Cher) is assigned to his case, she begins to believe that Anderson may actually be innocent. Juror Eddie Sanger (Dennis Quaid), a Washington lobbyist, agrees, and together the pair begins their own investigation of events.
For the thirtysomething Sheng Ruxi, whose surname unmistakably echoes the slang term “sheng nu” (leftover women), the wait for a perfect partner is growing more despairing by the day. With an ultra-anxious mother who would rather die than see her daughter stay single, Ruxi is further annoyed by the doctor she’s fixed up with. Could her new colleague, the dashing 25-year-old Ma Sai, offer last-minute salvation?
Emilie has been hired to care for the four sons of wealthy Adam Stoddard and his wife, Molly. After Molly dies, Adam and the boys grow to depend on Emilie even more. At the same time, Emilie falls in love with Adam. The boys grow up, but Adam insists that Emilie stay on as part of the family. Her relationships with both the boys and Adam become strained after one son marries a gold-digging viper named Hester. Written by Daniel Bubbeo
One suspects writer-director Carol Lai may have harboured some Black Swan ambitions with a tale that also centers around a stage practitioner who embarks on an unwitting destructive journey when playing a role to die for. The Second Woman, whose Chinese title Romance Riddle may hold better clues as to how this film developed, being more of a guessing game that threw constant clues rather than a overly romantic film about twins falling in love with a man who decided it’s perfectly OK to string both women along, until he discovers that this spells double trouble.
When Ally, a popular teen and local celebrity goes missing, her small suburban town erupts in panic.
Woody Allen meets Frances Ha in this new British drama by first-time feature director, poet, actor and publisher Greta Bellamacina. Greta also stars as Celeste, a young mother trying to carve out a career as a poet in modern-day London. Meanwhile, friend and neighbour Stella (played by co-writer Sadie Brown), dreams of being an actor but spends much of her time babysitting Celeste’s son. Part ode to the city, this is a skilfully observed tale of friendship and family with a refreshingly understated sense of humour.
Ciro’s body is sinking in the dark waters of the Gulf of Naples. And as it sinks deeper and deeper, memories emerge. The sounds muffled by the water merge with the screams of fleeing people. It is 1980, the earth shakes, the palace collapses, but under the rubble you can hear the cry of a newborn baby still alive. Ten years later, we find that new-born baby as it survives as it can on the streets of Naples, nobody’s son. Vivid memories of a criminal education that made him what he is: Ciro Di Marzio, the Immortal. Prequel of the “Gomorra” tv show.
