Lorenzo Vigas’ mesmerizing feature debut examines the struggles of a man petrified by the notion of human contact and intimacy. Armando, aged 50, (played by Pablo Larraín favourite Alfredo Castro in one of his most striking performances yet), cruises young men in the streets of Caracas and pays them to come back to his house. He also regularly spies on an older man with whom he seems to have ties from the past. One day he meets 17-year-old Elder, leader of a small band of thugs. Their turbulent relationship will come to mimic the violent, passionate, oppressive unpredictability of the city around them. Winner of the Golden Lion for Best Film at the Venice Film Festival in 2015.
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In August 1952, a family of British tourists is found by the roadside in Haute Provence, brutally murdered. In the ensuing, very public, investigation a local landowner, 75 year old Gaston Dominici, is arrested for the murders, having been denounced by his sons. Under police interrogation, Dominici confesses to have killed the family and it looks certain that he will be charged, tried and sentenced to death. But then the case begins to collapse. The old man retracts his confession and the lack of evidence against him becomes apparent…
Jackie Pruit is the girlfriend of notorious gangster Joe Bomposa. When it looks as if Bomposa’s goons are threatening Jackie’s life, the FBI moves in to protect her, hoping that she’ll have incriminating evidence. Veteran agent Charlie Congers is assigned to watch over Jackie, and while it soon becomes apparent that she knows almost nothing about Bomposa that would be of any use to the FBI, he falls in love with her. Bomposa decides it would be more convenient to have Jackie out of the way, ordering her to be executed. Bomposa’s henchmen slip through FBI security and murder her, but now they have to answer the angry and vengeful Congers.
In a near-future, darknet grifter Dougie is recruited to work security at a refugee detention centre. There, he is drawn into an underground operation blackmailing detainees to fight for profit. When tragedy strikes courageous fighter Azad, Dougie locates his hitherto dormant conscience and takes a stand.
An aging inventor with questionable sanity attempts to prevent a personal tragedy. His method: a 16mm film projector.
A tender and sweeping story about what roots us, Minari follows a Korean-American family that moves to an Arkansas farm in search of their own American Dream. The family home changes completely with the arrival of their sly, foul-mouthed, but incredibly loving grandmother. Amidst the instability and challenges of this new life in the rugged Ozarks, Minari shows the undeniable resilience of family and what really makes a home.
Starting from childhood attempts at illustration, the protagonist pursues his true obsession to art school. But as he learns how the art world really works, he finds that he must adapt his vision to the reality that confronts him.
Fred (Elliott Gould) lives with his Alzheimers’ struggling wife, Susan in their home of over fifty years. Fred’s grown up children try to convince him to move into a care home alongside Susan, however, he does not approve of this idea.
Performing art troupe members each face their own trials and tribulations in Chengdu; from escaping a family scandal to dealing with unrequited love, each experiences rejection that shapes their lives in this coming-of-age tale selected to play at the Toronto International Film Festival. Directed by Chinese helming legend Feng Xiaogang.
Dawn, a young white girl who has been kidnapped in infancy and reared by Mooda, an African woman who operates a canteen in the German cantonment, meets and falls in love with Tom Allen, an English rubber planter who is a prisoner of war. Shep Keyes, who has joined the German troops, covets her but realizes he cannot possess her because she is betrothed to the tribal god, Mulunghu. On the eve of the ceremony, he learns of her love for Tom. Tom, meanwhile, is sent back to England, and when the English take the territory from the Germans, Shep tries to incite the natives, who are experiencing a drought, against Dawn because of her love of a mortal. Tom learns from Mooda that Dawn was stolen from a white trader and finds her seeking refuge in a convent. Shep arouses the natives, but Dawn declares her faith in the white man’s God, and a thunderstorm brings relief to the parched land, after which Tom claims her for his bride.
