A kidnapped family man’s situation gets worse when he learns his captors are the last descendants of the Dracula family who fled Russia after World War II. The man and Dracula form an unlikely and dangerous friendship.
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Don Knotts and Tim Conway star in The Private Eyes, a 1980 comedy about two bumbling detectives solving a murder. It’s an impressively incompetent affair. Every ancient joke falls with a muffled thud as Knotts and Conway ham their way through the pointless story: The lord and lady of a capacious manor are killed, and the lord’s ghost seems to have returned to knock off the staff one by one. There’
A group of mysterious villains known as ‘The Alliance’ sets a trap for the Taxpayer. They imprison him, torture him, and make plans to publicly crucify him. Local janitor Richard Randolph rounds up retired Superheroes, and hatches a plan to rescue the Taxpayer. The villains stage a public rally, where many citizens come to watch the Taxpayer’s crucifixion. The heroes invade the bad guy lair, and a large battle ensues. Various comedic and action-packed musical numbers are intertwined throughout the madness. In the midst of the big political debate and battle for mankind will the heroes save the day?
Gabriell is a single mother, her 17-year-old daughter Claire is pregnant, however the child’s father Simon has no desire to be involved with his future baby. When Gabrielle takes matters into her own hands and asks Simon’s father Ange for help, an unexpected relationship begins.
Andres (Jean Pierre Agostini) it’s a fan of Los Leones del Caracas one of the principal baseball teams of Venezuela. Julissa (Juliette Pardau) it’s a fan of Los Navegantes del Magallanes, the rival team. One day Andres gets tickets to see the game in Magallanes VIP Zone. He meets Julissa and her dad who is not only fan but one of the team’s managers. Andres and Julissa will fall in love and will have to pretend to be fan of the other’s team. But soon trouble will arise.
One summer, mother and ex dancer Eileen lapses back to a troubled past as she starts a new relationship… we watch as she and her family combust. The film, shot on a micro budget, treads between darkness and humour as it moves from its beginning in the suburban cricket club to its conclusion at a music festival.
Joe is an ugly loser, incapable of picking up women. But when he’s taught a magical power, capable of transforming him into anyone he pleases and then back to his normal self, he decides to use it to live out his perverse fantasies. Initially content just watching them shower, Joe soon tires of mindless nudity and gears up to take his ultimate revenge against womankind: luring them to his shabby apartment, violently killing, and even eating them!
Marley’s brilliant at organizing other people’s engagements, but unlucky in finding romance herself. When designing her most important proposal yet, the man who could jeopardize it all may be the one who helps find her own love story.
College and high school serve as the backdrop for two stories about dysfunction and personal turmoil.
A heartbroken literary critic turns his despair into creativity following a bitter divorce, only to encounter an enchanting beauty who poses a major challenge to his newfound cynicism. Marc Marronnier thought his marriage was going well until his wife deemed him immature, and left him for a high-profile writer. Devastated, he began filtering all of his heartache into a misanthropic manuscript decrying the virtues of true love. But later, when Marc falls hard for his cousin’s radiant and gorgeous wife, his entire life is turned upside down. Louise Bourgoin and Gaspard Proust star in a film by actor and author-turned-director Frederic Beigbeder.
Emily Walters is an American widow living a peaceful, uneventful existence in the idyllic Hampstead Village of London, when she meets a local recluse, Donald Horner. For 17 years, Donald has lived—wildly yet peacefully—in a ramshackle hut near the edge of the forest. When Emily learns his home is the target of developers who will stop at nothing to remove him, saving Donald and his property becomes her personal mission. Despite his gruff exterior and polite refusals for help, Emily is drawn to him—as he is to her—and what begins as a charitable cause evolves into a relationship that will grow even as the bulldozers close in.
