Bob Hercules and Rita Coburn Whack’s unprecedented film celebrates Dr. Maya Angelou by weaving her words with rare and intimate archival photographs and videos, which paint hidden moments of her exuberant life during some of America’s most defining civil rights moments. From her upbringing in the Depression-era South to her swinging soirees with Malcolm X in Ghana to her inaugural speech for President Bill Clinton, we are given special access to interviews with Dr. Angelou whose indelible charm and quick wit make it easy to love her.

Not Available

A documentary focused on the 2016 United States presidential election and then-candidate Donald Trump’s supporters.

THE FIRST MONDAY IN MAY follows the creation of The Metropolitan Museum of Art’s most attended fashion exhibition in history, “China: Through The Looking Glass,” an exploration of Chinese-inspired Western fashions by Costume Institute curator Andrew Bolton. With unprecedented access, filmmaker Andrew Rossi captures the collision of high fashion and celebrity at the Met Gala, one of the biggest global fashion events chaired every year by Vogue editor in chief Anna Wintour. Featuring a cast of renowned artists in many fields (including filmmaker Wong Kar Wai and fashion designers Karl Lagerfeld, Jean Paul Gaultier and John Galliano) as well as a host of contemporary pop icons like Rihanna, the movie dives into the debate about whether fashion should be viewed as art.

The lives of four Syrian families, resettled in Baltimore and under a deadline to become self-sufficient in eight months.

The story follows an anti-poaching ranger in Zululand Reserve in his fight to save rhino’s at the peak of the poaching season. As he is alerted of another mother rhino massacred for her horn, he now turns his full focus to finding a rhino cub that will die if not saved in the next 24hrs. This documentary highlights not only the importance of stopping the massacres of rhino poaching but the hope of saving the young and the species in the future by coming together and mixing all efforts that allow the rhinos to stay alive.

It’s the 1980s and the world of professional surfing is a circus of fluorescent colors, peroxide hair and radical male egos. “Girls Can’t Surf” follows the journey of a band of renegade surfers who took on the male-dominated professional surfing world to achieve equality and change the sport forever. Featuring surfing greats Jodie Cooper, Frieda Zamba, Pauline Menczer, Lisa Andersen, Pam Burridge, Wendy Botha, Layne Beachley and more, “Girls Can’t Surf” is a wild ride of clashing personalities, sexism, adventure and heartbreak, with each woman fighting against the odds to make their dreams of competing a reality.

The special was filmed at Bimbo’s 365 Club in San Francisco and centers on Leggero as she “elegantly examines the many reasons why having kids is problematic, the absurdities of Burning Man, Mormons, Hipsters and more. From conservative Republicans to her very own diamond p***y, Leggero’s special proves that no one and nothing is off limits.”

A portrait of Zion Clark, a young wrestler who was born without legs and grew up in foster care.

Writer and urban activist Jane Jacobs fights to save historic New York City during the ruthless redevelopment era of urban planner Robert Moses in the 1960s.

In its first 25 years only 10 people have finished The Barkley Marathons. Based on a historic prison escape, this cult like race tempts people from around the world to test their limits of physical and mental endurance in this documentary that contemplates the value of pain.

‘Smiling Through the Apocalypse’ chronicles a man whose editorial instincts produced one of the greatest magazines ever: Harold Hayes, the swinging editor and cultural provocateur of the iconic Esquire Magazine of the Sixties. Through the narrative of his son Tom, a journey ensues opening unprecedented access to some of the Esquire magazine’s most compelling talents, from Nora Ephron to George Lois, and Tom Wolfe to Gore Vidal. The film is a story of risk, triumph, and challenge told by the people that helped make the magazine great, and a son who only come to understand his father’s editorial greatness 23 years after his passing.