Brahim is a young man, and secretly gay. At his mother’s birthday party, tensions around his unaccepted sexuality become unbearable. Brahim flees the oppressive family home into the night, where a terrible encounter awaits…

Every day at 6 pm a serial killer kills another person. Police officer Helena Rus thinks the killings are done by one man only and decides to reveal the killer’s identity by getting back in 18th century history of the city.

The “bad boys of magic” go over the edge in this mind-blowing, role-switching comedy murder mystery set in the dizzying world of Atlantic City casinos. In a TV interview, Penn mentions his idea of a fun practical joke: “I wish someone were trying to kill me. It would give focus to my life, excitement. I’d be like James Bond.” Twenty million people hear him. One decides to deliver a punchline he’ll never forget. Made by people who thought Psycho was a comedy, Penn & Teller Get Killed (they also wrote the piece) features Caitlin Clarke as the femme fatale and David Patrick Kelly as the Edgar Allan Poe-esque nutcase with a new mission. Arthur Penn, known for hip masterpieces like Bonnie and Clyde, Alice’s Restaurant and Little Big Man, directs with roller-coaster pacing and subversive intelligence.

During the Civil War in 17th-Century England, a small group of deserters flee from a raging battle through an overgrown field. They are captured by an alchemist, who forces the group to aid him in his search to find a hidden treasure that he believes is buried in the field. Crossing a vast mushroom circle, which provides their first meal, the group quickly descend into a chaos of arguments, fighting and paranoia, and, as it becomes clear that the treasure might be something other than gold, they slowly become victim to the terrifying energies trapped inside the field.

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When two brothers plan a so-called simple robbery — they want to rob their own failing jewellery store in hopes of collecting the insurance money — they find out that even the most well-planned heists aren’t easy. Complications quickly ensue, and a seemingly perfect plan degenerates into a battle for their own survival.

Day of the Dead is a horror film which is nominally a quasi-remake of George A. Romero’s classic zombie film of the same name, which was the third in Romero’s Dead series. The film is directed by Steve Miner (who also directed Friday the 13th Part 2 & 3 and Halloween H20: 20 Years Later) and written by Jeffrey Reddick.

The sequel to Paul Tanter’s “He Who Dares” will continue to follow the Special Air Service (SAS) anti–hijacking counter–terrorism team. In the thriller, Christopher Lowe finds himself summoned to 10 Downing Street to be dishonorably discharged from the SAS for disobeying a direct order, despite the fact that he saved the Prime Minister’s only daughter.

A survivor of the Jonestown massacre returns to the site 10 years later and discovers the cult’s former home has become a breeding ground for the supernatural.

After getting a car ride from an unknown man, Lisa wakes up in a tube. On her arm is strapped a bracelet with a countdown. She quickly understands that every 8 minutes, fire burns an occupied section. She has no choice but to crawl into safe sections to survive. To know why she’s there and how to get out, Lisa will have to face the memories of her dead daughter…

Deeply upset by the passing of his best friend, a professional BMX rider accepts to partake in a race in Chile. Everything goes as planned until he stumbles upon a man who is infected by a mysterious virus and becomes the target of local assassins.

While in the employ of Mr. Worthington, James, Mickey and Whitey have made several successful and uneventful pickups, but one last pickup will prove to be an adventure and the difference between life as free men and life behind bars.