When David’s sister returns home after a long absence, their complicated past comes back to haunt them.

A horror-comedy slasher set in the 80’s about a woman wrongfully fired from her office job and forced to take on a temporary job on a crime scene cleanup crew. With a maniacal serial killer on the loose leaving them lots of work, did he ever leave the scene of the crime?

A group of friends in a Tel Aviv suburb get together to watch Universong, a Eurovision-like television song contest. They gather to watch and are depressed by the lifelessness of the Israeli entry, a parody of many recent offerings, a flashy, grating song about “amour.” Realizing that Anat is distraught over the crisis in her marriage, they decide to compose a song to cheer her up. As a lark, they enters their cellphone video of it in next year’s contest, and it becomes Israel’s entry.

A loving family set off in their car on what seems like a carefree family outing. They sing, stop for ice- creams and play eye-spy. However, it becomes clear that this isn’t a happy outing after all and only once the car arrives does the actuality of the narrative fully manifest.

Peter Greenaway’s first fiction feature (after the mock-documentary The Falls) made him immediately famous and was named one of the most original films of the 1980s by British critics. The action is set in the director’s beloved 17th century. Ambitious young artist Mr. Neville (Anthony Higgins) is invited by Mrs. Herbert (Janet Suzman) to make 12 elaborate sketches of her estate. Besides money, the contract includes sexual favors that Mrs. Herbert will offer to the draughtsman in the absence of Mr. Herbert. Entirely confident in his ability to weave a web of intrigues, Mr. Neville eventually becomes a victim of someone else’s elaborate scheme. The film is structured as a sophisticated intellectual puzzle like the ones popular in the 17th century.

When stubborn, spotty Kevin and his equally hopeless best friend Perry go on holiday to the party island Ibiza, they see it as their big chance to become superstar club DJs and, more importantly, to lose their virginities. But they aren’t prepared for the interference of top DJ Eyeball Paul, not to mention the embarrassment factor of Kevin’s long-suffering parents.

Psychological horror about a lonely young woman traumatized by a difficult childhood, and her increasingly desperate attempts to connect with the people around her.

The true, harrowing story of a young Jewish girl who, with her family and their friends, is forced into hiding in an attic in Nazi-occupied Amsterdam.

Good Witch Cassie Nightingale (Catherine Bell) is back to her bewitching ways, but this time she’s also juggling a newborn daughter and her job as town Mayor. With such a busy schedule she and her husband, town sheriff Jake Russell (Chris Potter), aren’t getting much sleep. Hoping for a break, Cassie plans a much needed vacation with her new family. But things go awry when a crime wave sweeps through town and an investigative reporter (Geordie Johnson) tries to ruin Cassie’s image after a video of her magically disappearing turns up on the internet. To make matters worse, Cassie’s estranged foster mother (Janet-Laine Green) appears in town and Cassie’s stepdaughter (Hannah Endicott-Douglas) is suddenly accused of the recent robberies. Supported by her loyal family and friends, Cassie must rely on her signature charm to put a stop to the rumors before they completely destroy the town, and a Good Witch’s reputation!

Rick Morgan, an American engineer who runs a mine in East Africa, is approached one day by his friend Jim Scott, who needs someplace to store canisters of toxic waste. Unfortunately, a spill occurs a short time later, resulting in deaths and Morgan having to leave the country. A year later, he is approached by a government agent looking for a missing supply of potentially hazardous poison, which in truth hides something even more valuable.

In 1945, as Stalin sets his hands over Poland, famous painter Wladislaw Strzeminski refuses to compromise on his art with the doctrines of social realism. Persecuted, expelled from his chair at the University, he’s eventually erased from the museums’ walls. With the help of some of his students, he starts fighting against the Party and becomes the symbol of an artistic resistance against intellectual tyranny.

Tribute to Ramkinkar Baij, the film explores the relationship between three friends Kigan, Bodhi and Aditi.