Three bumbling Army reservists are hustled onto a plane headed for combat in Iraq — but the fact that the plane drops them in Mexico doesn’t stop them from “liberating” what they believe to be the Middle East.
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General Yu is executed after having been accused of treason by the powerful eunuchs, and his children will be deported. Eunuchs plotting to kill even the children, and prepare an ambush on Dragon’s shelter in the middle of the desert. There are other guests, who are also interested in the deal.
When a young man agrees to housesit for his boss, he thinks it’ll be the perfect opportunity to get close to the woman he desperately has a crush on – his boss’s daughter. But he doesn’t plan on the long line of other houseguests that try to keep him from his mission. And he also has to deal with the daughter’s older brother, who’s on the run from local drug dealers.
Blocking out the shadows of his past Max Payne is unexpectedly confronted by former friend and love interest Mona Sax, who reveals vital information that can bring down drug lord Jack Lupino.
This one-off stand-up special is a performance of Simon Amstell’s stand-up show, ‘Numb’, which he toured to sell-out audiences around the UK and Ireland in 2012, as well as Australia and, more recently, Los Angeles, San Francisco and New York. Recorded specially for BBC Four at TV Centre, it’s a stripped-down, intimate performance, with no set and minimal lighting – a painfully raw, honest and deeply funny exploration of disconnection and loneliness.
In ancient Rome, bathhouse architect Lucius (Hiroshi Abe) becomes famous with designing the original “thermae” (bathhouse). He receives an order to build a thermae in the colosseum to help gladiators recover from their wounds, but faces difficulties. Thus, Lucius travels again to modern day Japan through the time slip. He meets Manami (Aya Ueto) again, who is now a reporter for a magazine which covers bathroom. With the help of the flat face Japanese tribe, Lucius again designs a new thermae. Meanwhile, Emperor Hadrian (Masachika Ichimura) wants to keep the peace with the thermae, but the Senate wants to extend the land by using force. Emperor Hadrian and the Senate now have a confrontation and Rome becomes divided.
Four travellers meet in Madrid’s city centre through a rideshare app. Four individuals who could never imagine the journey they are about to embark on, as they gradually exchange secrets, emotions and mistrust, eventually arriving at a very different destination to the one they had planned. Along the way, they will learn a lot about who they are travelling with… and about themselves.
Andre and Colette Bertier are happily married. When Colette introduces her husband to her flirtatious best friend, Mitzi, he does his best to resist her advances. But she is persistent, and very cute, and he succumbs. Mitzi’s husband wants to divorce her, and has been having her tailed. Andre gets caught, and must confess to his wife. But Colette has had problems resisting the attentions of another man herself, and they forgive each other.
When an attack on the Kingsman headquarters takes place and a new villain rises, Eggsy and Merlin are forced to work together with the American agency known as the Statesman to save the world.
Battle-scarred and disillusioned by the war, Corporal Chris Merrimette is put in charge of a unit whose next mission is to resupply a remote outpost on the edge of Taliban-controlled territory. While driving through the hostile Helmand province, a Navy SEAL flags down their convoy and enlists the unit on an operation of international importance: they must help an Afghan woman famous for her defiance of the Taliban escape the country. Without tanks or air support, Merrimette and his team will need all the courage and firepower they can muster to fight their way across the war-torn country and shepherd the woman to safety.
After losing her parents and being left by her boyfriend, Bubblegum Teddybear moves from Kansas to Albuquerque, New Mexico. She rejects the dating life and lives in a ghost world, where she is fully aware that her life is a movie. Bubblegum is familiar with cinematic structure and tries to make problems for herself so that her movie can have a happy ending. Despite her best efforts, love follows her and pushes her genre ever closer to tragedy.
