Previously lost sexploitation melodrama following Millicent Redmond, a woman who hosts annual raucous and sexually licentious reunion parties for her former sorority sisters and their lovers at her cushy beach house.
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On their way to a sailing trip, an aging husband and wife invite along an emphatic young hitchhiker out of sheer patronization.
A tense night of raised pulses on a ferry to England: Adèle, an English teacher, is hiding a 15 year old migrant among her students on board.
A recent widow invites her husband’s troubled best friend to live with her and her two children. As he gradually turns his life around, he helps the family cope and confront their loss.
During their childhood, Hanna and Clarissa were best friends. They spent every vacation together in an old summer house on a small island. Shortly after Hanna’s 9th birthday, they suddenly lost touch and only meet again unexpectedly 25 years later. Hanna is now married, has a seven-year-old daughter and is the chief resident physician at the hospital where she reunites with Clarissa. Her old friend has been brought to the hospital ER for overdosing on sleeping pills. The two women pick up their friendship where they left off and spontaneously decide to spend a few days on the island, just like in the old days. When Hanna learns that Maria, a playmate of hers from the island’s village, disappeared as a child and was never seen or heard from again, she begins to search in the past. Something horrible must have happened on the island and they must have been involved.
Adapted from Issue #1 of Frank Miller’s seminal 1986 comic series, filmmaker Wyatt Weed (“Shadowland,” “Four Color Eulogy”) offers his unofficial fan’s take on the Batman mythos. Following the death of Robin at the hands of the Joker, Bruce Wayne (Weed) hung up the cowl and cape 10 years ago. But now Gotham City is in the grip of a violent crime wave, and the venerable 55-year-old billionaire has to decide if the time is right for the Caped Crusader’s return. (This production is non-profit and is for entertainment purposes only. The production is in no way associated with DC Comics or Time Warner.)
In a hospital on the outskirts of 1920s Los Angeles, an injured stuntman begins to tell a fellow patient, a little girl with a broken arm, a fantastic story about 5 mythical heroes. Thanks to his fractured state of mind and her vivid imagination, the line between fiction and reality starts to blur as the tale advances.
Each member of a group of people has a connection to a self-help book authored by a reclusive former football coach.
‘THE UPPER FOOTAGE’ is the first film experience of its kind. The film is an edited version of 393 minutes of recovered footage documenting a young girl’s tragic overdose death and subsequent cover up by a group of affluent socialites. What started as a blackmail plot played out over YouTube, became Hollywood’s biggest drug scandal, turned into a heavily controversial film property that was rumored to be held by some of the biggest names in Hollywood. Now, after playing itself out in the media for 3 years it is finally making its way to the public.
A young woman (Sandra Bullock) mysteriously disappears, sending her boyfriend Jeff (Kiefer Sutherland) on a years-long quest to find her. Not even a new love (Nancy Travis) can keep him from his obsessive search. All the while, the calculating psychopath (Jeff Bridges) who kidnapped his girlfriend stalks Jeff, ultimately taking him through the exact same steps that led to the crime. In order to find out what happened, Jeff must put his own life in the hands of this devious stranger.
The true story of Madalyn Murray O’Hair — iconoclast, opportunist, and outspoken atheist — from her controversial rise to her untimely demise.
Air Force Major Lloyd Gruver (Marlon Brando) is reassigned to a Japanese air base, and is confronted with US racial prejudice against the Japanese people. The issue is compounded because a number of the soldiers become romantically involved with Japanese women, in defiance of US military policy. Ordinarily an officer who is by-the-book, Gruver must take a position when a buddy of his, an enlisted man Joe Kelly (Red Buttons) falls in love with a Japanese woman Katsumi (Miyoshi Umeki) and marries her. Gruver risks his position by serving as best man at the wedding ceremony.