For many years, four teenage orphans at an Australian outback convent have watched their younger comrades find new parents, and realize that they may never be adopted. The Reverend Mother sends the four boys away on a seaside vacation, where they meet Teresa and Fearless, a couple who would make perfect parents. The youths compete with one another to be the one Teresa and Fearless decide to adopt.
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Waking Life is about a young man in a persistent lucid dream-like state. The film follows its protagonist as he initially observes and later participates in philosophical discussions that weave together issues like reality, free will, our relationships with others, and the meaning of life.
Based upon Tyler Perry’s acclaimed stage production, Madea’s Family Reunion continues the adventures of Southern matriarch Madea. She has just been court ordered to be in charge of Nikki, a rebellious runaway, her nieces, Lisa and Vanessa, are suffering relationship trouble, and through it all, she has to organize her family reunion.
A maddeningly oblivious, tyrannical and emotionally stunted young woman tries her best to negotiate two toxic friendships.
The story of California’s first openly gay elected official, Harvey Milk, who became an outspoken agent for change, seeking equal rights and opportunities for all. His great love for the city and its people brought him backing from young and old, straight and gay, alike – at a time when prejudice and violence against gays was openly accepted as the norm.
A couple of angels, O’Reilly and Jackson, are sent to Earth to make sure that their next supervised love-connection succeeds. They follow Celine, a spoiled rich girl who has just accidentally shot a suitor and, due to a misunderstanding, is kidnapped by janitor Robert. Although Celine quickly frees herself, she stays with Robert for thrills. O’Reilly and Jackson pursue, hoping to unite the prospective lovers.
The Swedish Liberal party leader David Holst is in crisis. Just recently, he was Sweden’s hottest politician. Stylish, funny, popular and the obvious candidate as the country’s next Prime Minister. Now, two years and a disappointing election defeat later, he finds himself in free fall. The voters have deserted him, the party is in uproar and he can hardly manage to get out of bed. It gets no better when he falls head over heels in love with party general secretary Martin, the last person on earth he can fall in love with. A man. A Social Democrat.
A small-town doctor learns that the population of his community is being replaced by emotionless alien duplicates.
Willi is 18 years old and lives on the street. Without a goal in his life he walks around the city and meets several people, helping but also cheating him. When he meets a girl, Monica, he realizes that there are people out there whose lives are even more desperate than his. So he’s trying to help her (and him) by planning a great robbery on a supermarket’s money transporter.
In a fancy split-level condo in Tokyo’s Roppongi nightlife district, four women and four men gather from midnight to 5 am. They’ve all paid to be there (men more than women), and they have only one thing in common–they seek anonymous sex. Using no names, they’re known only by their types: freeter (temp or part-time worker), mild-mannered salaryman, duplicitous OL (office lady), self-conscious working class factory worker, perfectionist teacher, veteran pervert, shy NEET (“not in education, employment or training”) and bashful college student. Together, they unravel their identities in a night of increasing debauchery. Daisuke Miura’s adaptation of his critically acclaimed 2005 play of the same name explores Japan’s fuzoku (sex industry) with depth, humor and freewheeling indecency. This surprising, erotic and disturbing film features breakout performances by Sosuke Ikematsu and Mugi Kadowaki, who are tempted to mix love with sex.
Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.
