As a kid in the South Bronx in the 1970s, Vivian Vazquez watched her tight-knit community become a burned-out ruin as an epidemic of fires raged through her Black and Puerto Rican neighborhood. As Vivian seeks to understand the lasting effects of this tragedy on her family and community, she uncovers a story of injustice, survival and hope that resonates deeply in cities today.
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Released in 1995, Paul Verhoeven’s SHOWGIRLS was met by critics and audiences with near universal derision. YOU DON’T NOMI traces the film’s redemptive journey from notorious flop to cult classic, and maybe even masterpiece.
Trashed – looks at the risks to the food chain and the environment through pollution of our air, land and sea by waste. The film reveals surprising truths about very immediate and potent dangers to our health. It is a global conversation from Iceland to Indonesia between the film star Jeremy Irons and scientists, politicians and ordinary individuals whose health and livelihoods have been fundamentally affected by waste pollution. Visually and emotionally the film is both horrific and beautiful: an interplay of human interest and political wake-up call. But it ends on a message of hope: showing how the risks to our survival can easily be averted through sustainable approaches that provide far more employment than the current ‘waste industry.’
December 1897, Paris. Edmond Rostand is not yet thirty but already two children and a lot of anxieties. He has not written anything for two years. In desperation, he offers the great Constant Coquelin a new play, a heroic comedy, in verse, for the holidays. Only concern: it is not written yet. Ignoring the whims of actresses, the demands of his Corsican producers, the jealousy of his wife, the stories of his best friend’s heart and the lack of enthusiasm of all those around him, Edmond starts writing this piece which nobody believes. For now, he has only the title: “Cyrano de Bergerac”.
Through raw, revealing footage and interviews with fugitive tech pioneer John McAfee, this documentary uncovers new layers of his wild years on the run.
In the final days of WWII, American troops find a vast hoard of mysterious nazi files hidden in a cave in Southern Germany
This impressionistic portrait of the 1964 Tokyo Summer Olympics pays as much attention to the crowds and workers as it does to the actual competitive events. Highlights include an epic pole-vaulting match between West Germany and America, and the final marathon race through Tokyo’s streets. Two athletes are highlighted: Ethiopian marathon runner Abebe Bikila, who receives his second gold medal, and runner Ahamed Isa from Chad, representing a country younger than he is.
All My Friends: Celebrating the Songs & Voice of Gregg Allman captures a once-in-a-lifetime performance, honoring one of the most acclaimed and beloved icons in rock and roll history. A founding member of the Allman Brothers Band and successful solo artist in his own right, Allman possesses a voice that has resonated through four decades.
The film portrays MacArthur’s (Gregory Peck) life from 1942, before the Battle of Bataan, to 1952, the time after he had been removed from his Korean War command by President Truman (Ed Flanders) for insubordination, and is recounted in flashback as he visits West Point.
Follow Alex Honnold as he attempts to become the first person to ever free solo climb Yosemite’s 3,000 foot high El Capitan wall. With no ropes or safety gear, this would arguably be the greatest feat in rock climbing history.
In the ice-gripped environment of Alaska’s Admiralty Island, summer offers the briefest of respites. Year-round residents such as bears and seals turn to the salmon-filled waterways for sustenance. Meanwhile, migrants descend in droves, from humpback whales to over 140 million seabirds–almost half the birds in the Northern Hemisphere.
Two decades of exclusive access, plus a lifetime of archival footage, depict Shannon from his early years, to his rise as an award-winning dancer and cutting-edge performance artist whose work finds outlet at prestigious venues worldwide. CRUTCH examines Shannon’s controversial street performances as he exposes the hidden world of assumptions disabled people encounter in public, on a daily basis. While the film questions his early exploitation of strangers’ good Samaritan impulses, it also marvels at Shannon’s ability to create solutions and empower others to navigate similar challenges. From childhood “cripple” to international provocateur, CRUTCH is an emotional story of an artist’s struggle to be understood.
The untold story of Hammer at Warner Bros, and the relationship that produced some of the British company’s finest films.