A lakeside resort comes under attack by a seemingly infinite hoard of flesh-eating ants.

In the future, two women struggle for survival as part of a work colony.

After 20 years of living in Washington, D.C., Mark Klein seeks much-needed solace by moving to the remote wilds of West Virginia. To ease his loneliness, he sends regular video updates to members of his OCD-support group back in the city. But Mark gradually realizes that despite his new, isolated setting, he may not be alone. From the endless woods surrounding his home, something else is watching.

Man-eating body doubles and predatory party girls stalk the suburban streets of Melbourne in three taboo-defying tales dredged from the heads of Australian creative team Pleasant Productions. The collection opens with the traumatic story of an elderly lady who picks the wrong party to crash, moves to a fantasia about a practical joker and his disturbed doppelganger, and ties it all up with the tale of a guy looking for love at the Snuff Machine.

When his increasingly depraved behavior spirals out of control, Marcus retreats to his family home along the New England coast. But instead of finding solace, Marcus is haunted by his darkest fears and deepest desires.

Late one night a woman drives by a stranded motorist who is later revealed to have been murdered. After a series of terrifying events the woman believes she is the killer’s next victim.

Celia (Monica Keena, Freddy vs. Jason) has had a rough life, with a mother who died in childbirth and a father who disappeared. Unfortunately for Celia, death is not any easier than life. When she is drugged and raped at a frat party, Celia dies from an overdose, and must battle the terrible Soul Eaters who roam the afterlife.

A distraught college student finds a phone that enables her to talk to her deceased mother in the past. Instead of a heart attack, she learns that her mother was murdered. She tries to use the phone to stop the murder from occurring before the killer finds and kills her too.

In this third installment of the “Olga” series, our heroine adds jewel smuggling to her repertoire of dope pushing and white slavery. As the vicious Olga (Audrey Campbell) expands her criminal empire, she also encounters more resistance as a string of once-trusted partners turn traitor in an effort to steal the successful racket out from under her. The result is exactly what fans of the series expect, a barrage of torture scenes featuring soldering irons, floggings, spankings, and even an electric chair. As with its predecessors, Olga’s House of Shame is a silent black and white film with narration to explain the action, but even with direct commentary it’s difficult to keep track of the characters and Campbell (who is occasionally caught laughing out loud at the absurdity of it all) has all the menace of a kindergarten teacher, even when wielding a machete.

A hooded psycho is murdering high-school girls. A devil-worshiping, drug-dealing biker gang is suspected.

A giant grizzly bear stalks 8 troubled young adults and a park ranger in a forest reserve called Grizzly Park after making the demise of an escaped serial killer.

A noted professor and his dim-witted apprentice fall prey to their inquiring vampires, while on the trail of the ominous damsel in distress.