Iconic Thai comedian Udom Taephanich recounts his misadventures and sharp observations from uncomfortable encounters to the absurdities of daily life.
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A desk-bound CIA analyst volunteers to go undercover to infiltrate the world of a deadly arms dealer, and prevent diabolical global disaster.
Michael is a 24-year-old who has cerebral palsy and long-term resident of the Carrigmore Residential Home for the Disabled, run by the formidable Eileen. His life is transformed when the maverick Rory O’Shea moves in.
Growing up can be a bumpy road, and it’s no exception for Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco. Like all of us, Riley is guided by her emotions – Joy, Fear, Anger, Disgust and Sadness. The emotions live in Headquarters, the control center inside Riley’s mind, where they help advise her through everyday life. As Riley and her emotions struggle to adjust to a new life in San Francisco, turmoil ensues in Headquarters. Although Joy, Riley’s main and most important emotion, tries to keep things positive, the emotions conflict on how best to navigate a new city, house and school.
Norm MacDonald, the iconic anchor of SNL’s “Weekend Update” and star of the cult classic Dirty Work, is back with a vengeance.
“The Antman” is a lovingly-made but sluggish monster-movie parody, done with German-speaking actors on a sparse soundstage standing in for 1950s Mexico. Promising concept is bolstered by colorful performances by Gotz Otto and Lars Rudolph, and the filmmakers have fun with pic’s look, right down to tacky lighting worthy of Roger Corman. But Marc Meyer’s script isn’t fast or funny enough to keep pace with energetic visuals. The first in a projected series of B-movie homages grouped as “Planet B,” the producers might want to call in Joe Dante to supervise the rest, as “Antman” seems unlikely to crawl very far beyond its native borders
Small town waitress Eve Stuckley is stuck. She has spent years pining for testosterone saturate local hunk Jeff Sweeney and yearns to escape from the Hog-Chow Diner she runs. Just when Eve finally decides to pursue her man, drop dead gorgeous Linda Avery blows into town on the hottest day of the year. The heat wave is nothing in comparison with the heat that’s on as Jeff and Eve’s dimwitted brother Chuck decide to face off for Linda’s affections. It’s a priceless contest: Linda wants Eve. Eve’s confidante Alma Kerns is a sex expert trained by mortician beau Red Bishop. She encourages Eve to use Linda’s interest in her to win Jeff’s affection but the situation becomes even more complicated when Linda advises Jeff she prefers Eve. Now determined to “save” Eve, the narcissistically injured Jeff elicits Chuck’s aid but Chuck, thinking it’s part of the game, refuses to believe him. Ultimately, Jeff and Linda square off over Eve’s future…
Melvin, a reluctant hero who is far from super, has been suppressing his telekinetic powers for years with booze, drugs, and women. In the process, he has failed at practically everything, most of all as a parent to his son. After a brush with death, Melvin decides to use his powers for good and clean up the streets of New Orleans with the help of his best friend/definitely-not-a-sidekick, Lucille. For a man who can do the impossible, it might be a fight even he can’t win.
