A couple on holiday on a remote South Pacific island awaken one morning with a hang over and no recollection of what transpired. When playing back a video of the previous night, they see they participated in a local ritual that somehow ends with him murdering her.
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A woman steals her abusive boyfriend’s drug money for her three teenage daughters to seek better lives for themselves and a bloody pursuit ensues.
Clay Foster is face to face with a griping situation. His wife is dead and he cannot accept it. He is in denial. The story starts in the midst of a tangled murder mystery. Clay’s wife was brutally murdered. How was she killed? Who killed her? The audience is forced to see the world as Clay does, through the eyes of a man traveling through the horrible stages of grieving; denial, anger, and finally acceptance, trying to solve the mystery of his murdered wife. As death comes upon all men, so does the Syphon. In clays diminutive state, his sanity brings him to rest very close at the veil between life and death. He is attune to the fragments and properties that join the two worlds, and being in such a state he is privy to witness and communicate with the beings that walk between them.
A nightmarish evening unfolds for David, a former New York Times journalist, when he and his strange new neighbor Robert, accidentally hit a girl on her bike. Buzzed and disoriented, David lets Robert convince him to flee the scene and leave the girl for dead, in order to protect his career. Robert shows no remorse, and in the name of friendship he does unspeakable things to protect the secret. Now that the police are full-on hunting for the hit-and-run killer, things begin to spiral out of control when David’s local newspaper sends him to cover the story where he meets the deceased girl’s sister Vanessa. Despite the circumstances, and her deep desire to find her sister’s killer, the two immediately have a romantic connection, which surprises and haunts David, while pushing Robert to take brutal steps to keep his new friend to himself.
The Boo is a Southern-gothic thriller about a bereaved small town sheriff and his recently widowed, estranged, sister-in-law who must acknowledge the external forces they must extinguish to overcome the internal loss of their spouses.
When a veteran African-American street cop is unjustly convicted for the murder of a violent gang-member, he must take his appeal into his own hands to fight for both his life and freedom.
Eun-ha, who is a normal junkyard employee, secretly works as a delivery clerk that deals with unusual delivery requests. One day, Eun-ha heads to Seoul to pick up a client who is involved in a gambling crime that wants to flee overseas. However, Eun-ha meets the client’s young son at the pick-up point, instead of the client himself. Kyeong-pil, a current police officer who is actually masterminding the whole gambling crime, chases after the missing child who has the security key to the bank account that holds 30 million dollars.
The plot is about a guile young terrorist who is able to blackmail a series of companies by placing home-made radio controlled bombs within the central attraction of amusement parks; roller coasters. The young man played by Timothy Bottoms gives a hard time to the cops after they give him UV marked money. He then wants revenge and places a bomb in a roller coaster at the most important amusement park event of the year.
A young girl who possesses the power of telekinesis accidentally causes her father’s death after a family dispute at Crystal Lake. Years later, when a doctor tries to exploit her abilities, her power becomes a hellish curse, and she unwittingly unchains the merciless, bloodthirsty Jason Voorhees from his watery grave.
