An inventive and resourceful cocaine smuggler defends his trade against violent rival traffickers, a monstrous and vengeful killer, and the DEA agents who want to lock him up – all while falling for a stunningly beautiful woman with a taste for danger.

In a woods filled with magic and fairy tale characters, a baker and his wife set out to end the curse put on them by their neighbor, a spiteful witch.

The eccentric owner of a Los Angeles self-storage company finds his world come crashing down when his long-suffering wife dies, only to return as a beautiful ghost.

A silk factory worker is persuaded to support her son’s education up to a college level despite their poverty. Many years later, she travels to Tokyo to visit her son.

“Tomorrow’s Promise is a film about vacantness. Which physically does ‘begin’, reversed, upside down on the screen […] suddenly another such position is taken (not in reverse), this time by a male figure and soon, in this same section, the girl of the reversed image reappears posed in a different way; a way obsessed by ‘mood’. Then a technical play of in-the-camera-editing occurs, more intense, brighter than in the first, reversed section. There are several inter-cuts which serve, in this and each subsequent section unto the end, as relative links into the final section: which is actually the ‘story’. The story the protagonist and her hero try to tell in their way is apophysis; except that ‘pictures’, clear visions take the place of words. My film could have been edited with precise tensions and a lucid straight narrative, but it was my aim to ‘re-create’ the protagonist of my personal life.” – Edward Owens

Behind the low life standard of Hong Kong Asylum Seekers, Docu-Drama uncovers the events including “Suicide of Pakistani Asylum Seeker “Mr. Idris” who hung himself with a tree in a garden and took his life”. How Asylum Seekers risk their lives and cross Hong Kong Border illegally. The ground realities and reasons that why Asylum Seekers mostly involve themselves into Criminal Activities and do not lead a normal life in Hong Kong.

Forty-eight-year-old Alain Evrard is obliged to return home to live with his mother. This situation causes all the violence of their past relationship to rise to the surface. Alain then discovers that his mother has a fatal illness. In the last months of her life, will they finally be capable of taking a step toward each other?

An Internet scammer falls in love with a wealthy old maid while trying to swindle her using a fake Facebook profile.

This documentary walks the line between fact and fiction, delving into corruption in the Mexican police through the experiences of two officers.

Grady (Michael Douglas) is a 50-ish English professor who hasn’t had a thing published in years — not since he wrote his award winning “Great American Novel” 7 years ago. This weekend proves even worse than he could imagine as he finds himself reeling from one misadventure to another in the company of a new wonder boy author.

In the middle of preparing his apartment to have Mira live with him, Luc escapes to Svalbard. Stumbling drunk out of an Artic “Oktoberfest”, Luc meets Mike, a stranger who lives in an isolated cabin in the Arctic desert. Mike mysteriously abandons Luc in mid conversation. Intrigued, Luc decides to find Mike. Along the way, he meets Ingrid, a Norwegian teacher. Luc rushes into the footsteps of Mike who remains elusive and volatile, Luc hunts a shadow, his own possibly.

It’s been a year since the Dogman terrorized this Midwestern community and nearly killed Hank Purvis. But now, things seem to have settled down. Everyone has gotten back to their routine. Hank still enjoys the outdoors and loves to hunt. He and his wife, Dorothy, continue to live on their family farm in the rural Midwest. The picturesque autumn woodlands are a wonderful place to be. But things are not well. Unseen in the nearby forest, are a litter of grown Dogman pups, embarking on their terrifying destiny, and standing over seven feet tall. They are a bad batch. They have to be stopped.