The heroine of the documentary that was published by American magazine The Atlantic is a 97-year-old Inge Ginsberg, who first escaped the Nazi regime across the mountains into Switzerland, and after the war moved to Hollywood with her husband Otto, where she wrote music alongside him (their work includes Dean Martin’s Try Again). In the present day, she applies for the show America’s Got Talent where she performs heavy metal music, through which she wants to pass her wisdom on to the world, as well as to have as much fun as possible at her age. This life-affirming film is made with no special allowances for Igne’s age, which commands much respect.
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With exclusive behind-the-scenes access, seldom-seen footage from the archives and a rare interview with Kirsty Wark, this is the story of a true visionary of British art.
Louisa Muller makes her Garsington directing debut and we welcome back Richard Farnes (Falstaff, 2018) to conduct with Sophie Bevan (Don Giovanni, 2012) as the Governess and British tenor Ed Lyon making his Garsington debut as Quint. A young governess is sent to a remote country house to care for two children. She becomes increasingly disturbed by their behaviour but is under strict instruction never to bother their guardian in London. Are they innocent or wicked, possessed or just high-spirited?
Arthur is a grumpy pensioner who can’t understand why his wife Marion would want to embarrass herself singing silly songs with her unconventional local choir. But choir director Elizabeth sees something special in the reluctant Arthur and refuses to give up on him. As she coaxes him out of his shell, Arthur realizes that it is never too late to change.
Documentary that explores the making of Close Encounters of the Third Kind in Mobile, Alabama from May 31 to September 2, 1976, as told by the locals that experienced this sci-fi classic.
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Paul, a teenager in the underground scene of early-nineties Paris, forms a DJ collective with his friends and together they plunge into the nightlife of sex, drugs, and endless music.
Cutler Gray pays tribute to his Great Grandfather Buck DuSell and other famous riders of the early 1900’s by recreating their Endurance Runs, about 150 miles per day – on a Motorized Bicycle.
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