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December 1897, Paris. Edmond Rostand is not yet thirty but already two children and a lot of anxieties. He has not written anything for two years. In desperation, he offers the great Constant Coquelin a new play, a heroic comedy, in verse, for the holidays. Only concern: it is not written yet. Ignoring the whims of actresses, the demands of his Corsican producers, the jealousy of his wife, the stories of his best friend’s heart and the lack of enthusiasm of all those around him, Edmond starts writing this piece which nobody believes. For now, he has only the title: “Cyrano de Bergerac”.
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Set in the dark and old Parramatta prison built by the original convicts our lead character Ray a war veteran finds himself serving 18 months for manslaughter after defending his fiance. He soon realizes that the prison boss has it in for him and does everything possible to break Ray even going after his fiance.
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A Texas cop (Kevin Kline), whose own daughter might have been forced into sexual slavery, joins forces with a Mexican youth (Cesar Ramos) to find the boy’s sister, who was abducted and forced into prostitution. Meanwhile, a Ukrainian woman who was promised a better life in America also becomes a victim.
A disgraced FBI agent with a drinking problem joins nine other troubled law enforcement officers at an isolated detox clinic in the wilds of Wyoming. But the therapeutic sanctuary becomes a nightmarish hellhole when a major snowstorm cuts off the clinic from the outside world and enables a killer on the inside to get busy.
When God appears to an assistant grocery manager as a good natured old man, the Almighty selects him as his messenger for the modern world.
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