An in-depth look of the 40 year journey, from post-war Germany to Hollywood royalty, of Hans Zimmer, the man who’s become the dominant force in the world of movie soundtracks. His film credits include The Lion King, Rain Man, Pirates of The Caribbean, Gladiator, The Dark Knight Trilogy, 12 Year A Slave, The Thin Red Line, The Da Vinci Code and Dune.

Renowned documentary filmmaker D.A. Pennebaker captures Otis Redding in his ascendancy, singing at the historic Monterey International Pop Festival in June 1967. Comedian Tom Smothers introduces Redding to a crowd that is leaving — until Redding grabs them with his charged rendition of “Shake.” Redding’s performance also includes “Respect” (which he wrote), “I’ve Been Loving You Too Long,” “Satisfaction,” and “Try a Little Tenderness.” Tragically, Redding died in a plane crash six months later. An innovative filmmaker who started in the 1950s making experimental films, Pennebaker garnered an Oscar nomination for Best Documentary Feature in 1993 for The War Room, his behind-the-scenes look at Bill Clinton’s 1992 campaign. His other subjects have included Norman Mailer, Bob Dylan, and David Bowie.

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Surrounded by the mountains and people who are his inspiration, in ‘Path to Everest’, the mountain athlete Kilian Jornet reveals his most intimate fears, contradictions and passions. Summits of My Life is the personal project of Kilian Jornet, in which for five years he has traveled to some of the most important peaks of the planet to try to establish FKT (fastest known time) of ascent and descent of some of the most emblematic mountains of the world. The project is closely linked to values and a way of understanding the purist and minimalist mountain. The experiences lived in each challenge have been captured in different films.

As an NYPD officer in the late 60s and early 70s, Frank Serpico blew the whistle on the corruption and payoffs running rampant in the department, was shot in the face during a drug arrest, and most famously became the subject of Sidney Lumet’s classic film SERPICO. Forty-plus years later, Serpico talks about his Southern Italian roots and upbringing, his time as an undercover officer, and his post-NYPD life in Europe and ultimately upstate New York. Adding their own recollections are his fellow officers, childhood friends, his West Side neighbors, and his admirers such as writer Luc Sante and actor John Turturro. With unprecedented access to its subject and augmented by original music by Jack White and an original score by Brendan Canty of Fugazi, Antonino D’Ambrosio creates a memorable, powerful portrait of an always-committed public servant who still walks the walk in his very own unique way.

Stewart follows Jackie Stewart’s rise from humble beginnings outside Glasgow, through the dark years of the early 1970s when Stewart, despite opposition, tried to improve safety at the races.

Follows longtime collectors and a new generation of buyers from the trading card industry, diving deep into the real-time trading card fever as the hobby goes nuclear.

In the period between 1988 and 1989, a well known radio reporter in San Cristóbal de las Casas, Chiapas, killed a girl of four years, shocking the town folks. Exergo is the experimental exploration of such events, based on real police archives.

Influenced by the worldwide success of Italian ‘Mondo’ movies, British low-budget movie mogul Arnold Louis Miller concocted this exploitation-style documentary. Peering behind the grimy net curtains of London life into seedy bars and clubs, and burrowing beneath the glittering façade of the capital’s glamorous cocktail lounges and casinos, “London in the Raw” presents a cynical, sometimes startling, vision of life in 1960s London.

Neat is a documentary that dives into the rich and storied world of bourbon. Exploring it’s colorful history, charismatic characters, and uniquely American process, the film is a celebration of the time, artistry, and relationships that make for America’s only native spirit.

The documentary proposes an exhaustive journey through the life and work of Salvador Dalí, and also of Gala, his muse and collaborator. It starts in 1929, a crucial year in Dalí’s career and life, as he joined the surrealist group and met Gala, and advances until the year of the artist’s death in 1989.

Gerhard Richter has spent over half a century experimenting with a tremendous range of techniques and ideas, addressing historical crises and mass media representation alongside explorations of chance procedures. This first glimpse inside his studio in decades is exactly that: a thrilling document of the 79-year-old’s creative process, juxtaposed with rare archival footage and intimate conversations with his critics and collaborators.