In 2001, Andrew Bagby, a medical resident, is murdered not long after breaking up with his girlfriend. Soon after, when she announces she’s pregnant, one of Andrew’s many close friends, Kurt Kuenne, begins this film, a gift to the child.
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During a stormy night in the Scottish Highlands, two criminal brothers on the run seek refuge in a desolate farmhouse. But after taking the resident family captive, they find the house holds even darker secrets of its own.
An idyllic small town is rocked when Aubrey Fleming (Lindsay Lohan), a bright and promising young woman, is abducted and tortured by a sadistic serial killer. When she manages to escape, the traumatized girl who regains consciousness in the hospital insists that she is not who they think she is and that the real Aubrey Fleming is still in mortal danger.
Conjoined twins Daisy and Violet Hilton were once the cream of the sideshow crop. Taught to sing and dance at an early age, the winsome duo ascended through the early 20th-century vaudeville circuit as a side attraction (working alongside Bob Hope and Charlie Chaplin as well as a memorable turn in the Tod Browning classic “Freaks”) before a cascade of unscrupulous management and harsh mistreatment brought their careers (and lives) tumbling down. This engrossing glimpse into a bygone era is filled with fascinating interviews and rare archival footage.
Don McGlynn’s uncompromising and soulful documentary look at the tumultuous life of musician and rebel Charles Mingus is fascinating stuff. Mingus said of himself “I am half black man, half yellow man, but I claim to be a Negro. I am Charles Mingus, the famed jazz musician–but not famed enough to make a living in America.” His statement summed up the conflict that plagued this musical genius his entire life: volatility, pain, prescience, and raw rage roiled inside a complex man, composer, bass player, and trombonist who transcended labels and refused to be pigeonholed into a single musical style–and who did not achieve real fame until late in his career.
Unprecedented access to Muhammad Ali’s personal archive of “audio journals” as well as interviews and testimonials from his inner circle of family and friends are used to tell the legend’s life story.
A plot to overthrow the United States government is uncovered in New York City in the summer of 1919 when William Flynn, a field agent for the Bureau of Investigation, is sent to investigate a bomb threat that has targeted some of America’s most powerful politicians and leaders of commerce, New York millionaire John D. Rockefeller, Sr. among them. Flynn’s investigation takes him on a journey into the underworld of homegrown terrorism and introduces him to a competitive culture of violence and murder. Greed, power, and politics are at the center of the story and Flynn must distinguish the villains from the merely discontented. Along the way, he discovers that terrorism has many faces and that a determination of guilt or innocence often lies in the psychology of fear that constricts individuals at every level of society. Sedona International Film Festival.
In the year of 2039, after World Wars destroy much of the civilization as we know it, territories are no longer run by governments, but by corporations; the mightiest of which is the Mishima Zaibatsu. In order to placate the seething masses of this dystopia, Mishima sponsors Tekken, a tournament in which fighters battle until only one is left standing.
The world is facing some huge problems. There’s a lot of talk about how to solve them. But talk doesn’t reduce pollution, or grow food, or heal the sick. That takes doing. This film is the story about a group of doers, the elegantly simple inventions they have made to change the lives of billions of people, and the unconventional billionaire spearheading the project.
Hard-boiled private eye, Philip Marlowe, is hired to find the lover of a glamorous heiress. Unexpectedly, Marlowe finds himself embroiled in a deadly mystery that he’s determined to either solve or die trying.
To Rock or Stock? That is the question. Sneakerheads will do almost anything to get their hands on a unique pair of kicks, going to such extreme lengths as hiding in trash cans to score a pair of Retro Jordan 11s to camping for days in sub zero temperatures for the latest Nike Foamposites. How did sneakers become as prized as collectable art? From the shores of Cali to the congested streets of Tokyo, Sneakerheadz examines the cultural influence of sneaker collecting around the world and delves into a subculture whose proud members don’t just want to admire art, they want to wear it.
