Rose, a 17-year-old Filipino-American teenager from Texas, dreams of becoming a country music icon. She has to fend for herself when her mother is arrested by ICE, and must choose between following her dreams without her mother or leaving her passions behind.

Ella Fitzgerald was a 15-year-old street kid when she won a talent contest in 1934 at the Apollo Theatre in Harlem. Within months she was a star. Over the next six decades, her sublime voice would transform the tragedies of her own life and the troubles of her times into joy. JUST ONE OF THOSE THINGS retraces this extraordinary journey.

High school student Daisuke has a crush on classmate Hiromi. On the way to a school trip, the bus with Daisuke has an accident. When Daisuke wakes up, he finds himself in Hell. He asks himself “Why only me? I’m too you young to die and I’ve never experienced a kiss.” Then, Killer K appears in front of the confused Daisuke. Killer K leads the rock band Heruzu from Hell Agricultural High School. To return to the living and confess his feelings to Hiromi, Daisuke’s hell rounds begin under Killer K’s special training.

When a barnstorming stunt pilot decides to join the air corps, his two goofball assistants decide to go with him. Since the two are Abbott & Costello, the air corps doesn’t know what it’s in for.

Courtney, the sister of a survivor from the 1st movie and the members of her rock band go to a condo for the weekend to play music and have fun with their boyfriends. Courtney’s dreams are of her sister, who is in a mental institution, warning her of having sex, and the dreams begin to spill into real life, threatening Courtney and her friends as they begin experiencing an attrition problem.

Lennon exists timidly on the sidelines of the thriving Columbus indie music scene, yearning for a personal connection that might shepherd her into the cutting-edge art scene. Enter Bobbi Kitten, an enigmatic, striking and talented half of a popular indie pop duo, who takes Lennon under her confident wing—unwittingly entangling herself in a dark obsession.

All hell breaks loose when a giant grizzly, reacting to the slaughter of her cubs by poachers, attacks a massive rock concert in the National Park. [This sequel to “Grizzly” (1976) was left unfinished after production wrapped prematurely in 1983, and was not officially released until 2020, though a bootleg workprint version had been in circulation for some years prior to this.]

Harriet finds art imitating life when she discovers certain songs can transport her back in time – literally. While she relives the past through romantic memories of her former boyfriend, her time travelling collides with a burgeoning new love interest in the present. As she takes her journey through the hypnotic connection between music and memory, she wonders – even if she could change the past, should she?

“Majo” Tonorio, a.k.a. Filly Brown, is a raw, young Los Angeles hip-hop artist who spits from the heart. When a sleazy record producer offers her a crack at rap stardom, Majo faces some daunting choices. With an incarcerated mother, a record contract could be the ticket out for her struggling family. But taking the deal means selling out her talent and the true friends who helped her to the cusp of success.

If Bugs Bunny were to direct his signature inquiry–“What’s up, doc?”–toward the modern-day Warner Bros. creative team, he wouldn’t be far off. For 1001 Rabbit Tales, they’ve doctored up a batch of classic cartoons featuring the carrot muncher and his bumbling comrades and bundled them, near seamlessly, into a feature-length film. Here’s the premise: Bugs and Daffy, both book salesmen, are competing to sell the most copies of a kids’ book. Instead of burrowing a beeline to his sales territory (he should have made a left at Albuquerque), Bugs ends up in the castle of Yosemite Sam, here a harem-leading honcho. Sam’s pain-in-the-spurs son, Prince Abalaba, needs somebody to read him stories; Bugs, who’d sooner take the job than suffer the alternative, that involving being boiled in oil, signs on.

Fueled by a raging libido, Wild Turkey, and superhuman doses of drugs, Thompson was a true “free lance, ” goring sacred cows with impunity, hilarity, and a steel-eyed conviction for writing wrongs. Focusing on the good doctor’s heyday, 1965 to 1975, the film includes clips of never-before-seen (nor heard) home movies, audiotapes, and passages from unpublished manuscripts.

The film explores the global power and impact of the music of John Coltrane and reveals the passions, experiences and forces that shaped his life and revolutionary sounds.