Antonia is a lyrical singer whose beauty is uncommon, lush and somber. Recovering from a suicide attempt in a rehabilitation institution, all her family ties are irreparably broken. But her sister remains deeply affected by what happened.

Remember Baghdad is the untold story of Iraq, an unmissable insight into how the country developed through the eyes of the Jews, Iraq’s first wave of refugees.

Three trainers help acclimate mustangs to their new life in Europe as part of an effort to shed light on the plight of this mighty American horse.

It’s 2017 in Bisbee, Arizona, an old copper-mining town just miles from the Mexican border. The town’s close-knit community prepares to commemorate the 100th anniversary of Bisbee’s darkest hour: the infamous Bisbee Deportation of 1917, during which 1,200 striking miners were violently taken from their homes, banished to the middle of the desert, and left to die. Townspeople confront this violent, misunderstood past by staging dramatic recreations of the escalating strike. These dramatized scenes are based on subjective versions of the story and “directed,” in a sense, by residents with conflicting views of the event. Deeply personal segments torn from family history build toward a massive restaging of the deportation itself on the exact day of its 100th anniversary.

A witty, forthright dive into the wonderful world of boobs by singer and filmmaker Elizabeth Sankey – from enhanced boobs to ‘free the nipple’, bras, Baywatch, and the stars of reality TV.

The full uncensored story of punk rock band The Parkinsons.

The only doc to access Bowe Bergdahlandapos;s story.

Patton riffs on the hazards of aging, his failed shutdown plans, and the day his wife turned into a Valkyrie in this stand-up special he also directed.

Chronicles the history of Negro Leagues baseball by using rare historical footage and interviews with black baseball greats.

In a world troubled between capital and hunger, free thinking about the importance of enjoyment and enjoyment as an act of resistance. No longer representation as a metaphor for the relationships sold by American cinema, but life lived as a metaphor for resistance to bad politics lived in the world.

The Shannon is Ireland’s greatest geographical landmark and longest river. It is both a barrier and highway, a silver ribbon holding back the rugged landscapes of the west from the gentler plains to the east. On its journey south, the Shannon passes through a huge palette of rural landscapes, where on little-known backwaters, Ireland’s wild animals and plants still thrive as almost nowhere else. For a year, wildlife cameraman Colin Stafford-Johnson lives on the river, camping on its banks, exploring its countless tributaries in a traditional canoe, following the river from dawn to dusk through the four seasons, on a quest to film the natural history of the Shannon as it has never been seen or heard or experienced before.

Ancient oceans teeming with life, Norwegian settlers, Native Americans and multinational oil corporations find intimacy in deep time. Following up his 2009 feature Crude Independence (SXSW), Deep Time is director Noah Hutton’s ethereal portrait of the landowners, state officials, and oil workers at the center of the most prolific oil boom on the planet for the past six years. With a new focus on the relationship of the indigenous peoples of North Dakota to their surging fossil wealth, Deep Time casts the ongoing boom in the context of paleo-cycles, climate change, and the dark ecology of the future.