Things were cool. Chicks were pretty. Waves were groovy. Cars had muscle. Jan and Dean rode their wave to the top of the pop charts. Then, in 1966, on their way to becoming rock and roll legends, they have to cope with a devastating car crash that leaves Jan brain-damaged and their dreams shattered.
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Sympathetic look loosely based on the relationship between tobacco heiress, Doris Duke (1912-1993) – think Duke University – and her shy butler, Bernard Lafferty. The icy and mercurial Duke fires her butler for serving a chilled cantaloupe; the agency sends Lafferty, formerly household staff to Liz Taylor and to Peggy Lee. He’s an alcoholic, fresh out of rehab. He gradually becomes Duke’s gay alter ego as she romps through life sleeping with young men, making shrewd decisions quickly, managing her fortune and orchids as Lafferty manages her New Jersey estate. With a wine cellar to die for, Bernard falls off the wagon. Can he pull himself together when Doris needs him?
After the unexpected death of their daughter, a couple work to build a state of the art children’s hospital where families are welcomed into the healing process.
The three Hammett brothers, Cain, Harry and Dale are caught in a conflict that escalates rapidly and the old farmers facing against new farmers who have settled in the green grasslands.
A father who was absent for 30 years of his son’s life returns and wants to set on a journey through Finland, so they can learn to know each other again.
Elena (Kasia Smutniak) and Antonio (Francesco Arca) seem not to be made for each other. They are too different in terms of character, life choices, worldview, and the way they relate to others. They are total opposites. However, they are overwhelmed by a mutual attraction they’re trying hard to avoid; but to which they succumb to. This dramedy on relationships also gets a very credible performance from Paola Miraccione, who plays the tragic, albeit funny, character Egle.
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