New area deputy Jack Gales arrives on the island to find that a girl at the local Catholic girls school has been found dead. After investigating, he finds that students have been disappearing regularly for five years, about the time Mother Bernadette passed away. Gales and the Mother Superior’s secretary Cristina work together to try and unravel the mystery.
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Turkish director Hasan Karacadag is something of an unusual case. In a nation that appears uncertain how to feel about its own history with exploitation film and generally reluctant to embrace genre film – though there are obvious exceptions – Karacadag has jumped headlong into the horror pool. The director first came to attention with the J-horror influenced D@BB, a surprise hit in Turkey that allowed Karacadag to move on to the more visually ambitious – and effects heavy – effort, Semum. Both film showcased Karacadag’s growing ability to shock and terrify his audiences by taking the rich folklore of his country and pushing it to its dark extremes. And he’s at it again with D@BB: Bir Cin Vakasi. The sequel to his original hit, this latest efforts puts away the Japanese influence in favor of a more Paranormal vibe, but the underlying mythology remains purely regional with the story following a Turkish family whose home is possessed by angry jinns
Angélique is a 60-year-old bar hostess. She still likes to party, she still likes men. At night, she makes them drink, in a cabaret by the French-German border. As time goes by, clients become rare. But Michel, her regular client, is still in love with her. One day, he asks Angélique to marry him.
Alex is a lonely accountant whose one act of rage results in her being sentenced to court-ordered therapy. There she meets Stella, the owner of a small extermination business who uses her car as a weapon, and Nikki, a dental technician with the face of an angel and the mind of a sociopath. Together these women form their own “silent revolution”, wreaking havoc on the abusive men in their lives.
The picture opens in Krasnoyarsk, Siberia, in late 1988, when military trainees Petrovsky, Ryaba, Chugun, Stas, Pinochet, Lyutev and Vorobyev are whipped into shape at a training camp by the brutal, sadistic commander, Warrant Officer Dygalo – prior to being sent off to the front lines. After several one-by-one dalliances with the local whore, Snow White, and a cautionary lecture on the history, geography and culture of Afghanistan (which most of the men sleep through), the trainees head off to battle – first to the Bagram air base, then to the Afghani province of Khost to secure supply lines. But nothing can begin to prepare them for the brutal devastation into which they are plunged, or the relentless tide of slaughter that scatters thousands of Soviet victims in its wake.
The latest exploitation / Grindhouse feature film from Ungovernable Films, featuring all your favorite ungovernable motifs like sex, gore, violence, nudity, schlock, and laughs! Oh, and of course a social message! This time it’s “fuck the police!”
Two years after her husband dies in a sudden accident, Annie and her two children are left to cope with the loss. Annie can’t imagine falling in love again, until she meets a wealthy bachelor who is drawn to her free spirit. Afraid to love again, she longs for guidance when she starts to develop feelings for this new man. Her prayers are answered when she starts receiving communications from her late husband that encourage her to follow her heart.
In 1934 Diego Padilla wins the Spanish Championship of Chess and meets a French journalist, Marianne Latour, and they fall in love. At the end of the Civil War, Marianne convinces Diego to live in France with their daughter, where shortly afterwards Diego will be accused of spying by the Nazis and imprisoned in an SS prison. In prison, Diego will try to survive in a hostile environment thanks to Colonel Maier’s passion for chess.
A country romance about the human streak in the horse and the horse in the human. Love and death become interlaced and with terrible consequences. The fortunes of the people in the country through the horses’ perception.
Fiction and reality blur when Leonor, a retired filmmaker, falls into a coma after a television lands on her head, compelling her to become the action hero of her unfinished screenplay.
The popular Caucasian-looking son (Richard Barthelmess) of a wealthy Chinese businessman lives away from his widowed father and passes as white, but experiences prejudice, rejection, insult, and heartache when the socialite (Constance Bennett) he loves learns of his heritage.
Monstrous creatures leap from a magical storybook and unleash mayhem and mischief for Auntie Opal and her tween niece Nina in this spooky short film.
