In October of 2010, 2 young hunters shot a 7 foot tall animal they could not identify. It stood upright and walked like a man. Dead Bigfoot: A True Story, chronicles the events of hunter, Justin Smeja after his alleged shooting of 2 bigfoots in October of 2010. The filmmaker embarks on an investigation filled with witness interviews, an intense polygraph examination and a long hard look the evidence collected.
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Marc Hauser is a visionary. Or is he mad? A record-holding skydiver, Hauser has a grand ambition: to become the first man to jump into a hurricane force jet stream at over 8,000 meters. A big risk, but with potentially huge rewards. Hauser wants to show the power of the jet stream as an energy source, which he believes could solve the global energy crisis. As Hauser’s preparations take shape, the scale of his challenge becomes clear.
Professional skateboarder Amelia Brodka examines the skateboarding industry’s approach to how it markets, promotes and supports women in its sport.
Dock Ellis pitched a no-hitter on LSD, then worked for decades counseling drug abusers. Dock’s soulful style defined 1970s baseball as he kept hitters honest and embarrassed the establishment. An ensemble cast of teammates, friends, and family investigate his life on the field, in the media, and out of the spotlight.
Judy at the Palace. Sinatra at Carnegie Hall. Streisand at the Garden. Stritch on Broadway. Legendary performances come along so rarely. Elaine Stritch At Liberty is an autobiographical one-woman show written by Elaine Stritch and John Lahr. The show consists of spoken monologues from Stritch following her life and career, interspersed with showtunes and pop standards which compliment her stories. Many of these songs had been originated by Stritch in major Broadway productions, such as “The Ladies Who Lunch” from Company and “Civilization” from Angel In The Wings. Her experiences and relationship with show business are focal points, but she also explores more intimate, personal themes like her alcoholism and romantic relationships.
During the same summer as Woodstock, over 300,000 people attended the Harlem Cultural Festival, celebrating African American music and culture, and promoting Black pride and unity. The footage from the festival sat in a basement, unseen for over 50 years, keeping this incredible event in America’s history lost—until now.
“Boy from the Blaze” is the survivor of a tragic accident that destroyed his life and that of his family. About to turn 18, without a job or an education, he spends his days in the darkness of his room. Consumed by pain and anger, his only hope is writing songs for an imaginary crowd. Inspired by a friend and encouraged by his mother, he will find the strength to go on stage and overcome his fears.
A comedy about depression, alcoholism, suicide and the other funniest parts of life. Gethard holds nothing back as he dives into his experiences with mental illness and psychiatry, finding hope in the strangest places. An adaption of his one-man off-Broadway show of the same name.
Jean-Luc Godard brings his firebrand political cinema to the UK, exploring the revolutionary signals in late ’60s British society. Constructed as a montage of various disconnected political acts (in line with Godard’s then appropriation of Soviet director Dziga Vertov’s agitprop techniques), it combines a diverse range of footage, from students discussing The Beatles to the production line at the MG factory in Oxfordshire, burnished with onscreen political sloganeering.
This documentary is a moving look at 150 years of Canadian history through the iconic family photograph
A woman is recruited to a prison controlled by organized crime while another woman searches for her missing daughter. Through images that submerges us in a journey from north to south Mexico, both testimonies collide and take us to the center of a storm: a country where violence has taken control of our lives, our desires and our dreams.
For over a decade, this portrait of a North Philadelphia family and the creative sanctuary offered by their home music studio was filmed with vérité intimacy. The family’s 10-year journey is an illumination of race and class in America, and it’s a testament to love, healing and hope.