Set between the parallel worlds of contemporary London and the futuristic faith dominated metropolis of Meanwhile City, Franklyn weaves a tale of four souls, whose lives are intertwined by fate, romance and tragedy. As these worlds collide, a single bullet determines the destiny of these four characters.

Hotshot gambler Jake Green (Jason Statham) is long on bravado and seriously short of common sense. Rarely is he allowed in any casino because he’s a bona fide winner and, in fact, has taken so much money over the years that he’s the sole client of his accountant elder brother, Billy. Invited to a private game, Jake is in fear of losing his life.

A violent night sends cycling champ Rick Van Pelt into a neon-drenched fever dream. Fuelled by scotch and paranoia, he confronts Isaac about an affair with his fiancé. A shocking turn of events unveils their scheme to rip off a reclusive art dealer. Eccentric friends, old and new, fail to save Rick from the nocturnal underworld and his demons personified – a renegade detective his only hope.

A group of sorority girls go up to a cabin in the woods accompanied by some boys. To their dismay, there is an escaped convict on the loose as well as the uncle of one of the girls. It’s too bad that Uncle Ray is possessed by an Indian spirit turning him into a monster with a need for human blood.

To rescue his daughter, an unstable Special Forces veteran unleashes his inner beast as he pursues her kidnappers — and soon becomes a suspect himself.

Madge Hooper, owner of several small businesses in town, was killed during one of her daily walks along Yellow Ridge woods in the 1970′s. She died of a single shot gun blast to the chest then finished off by decapitation. Madge’s head was buried somewhere in the area of Yellow Ridge. Legend has it that if you go to a particular part of the woods at a particular time of day you can see the ghost of Madge Hooper wandering around in the woods looking for her head. After some bizarre killings of innocent campers begin to surface, John and Clarence, two local good ‘ole boys set out to prove that the ghost of Madge Hooper actually exists.

Laura (Florencia Colucci) and her father Wilson (Gustavo Alonso) arrive at a cottage off the beaten path in order to repair it since its owner (Abel Tripaldi) will soon put the house on sale. They will spend the night there in order to start the repairs the following morning. Everything seems to go on smoothly until Laura hears a sound that comes from outside and gets louder and louder in the upper floor of the house. Wilson goes up to see what is going on while she remains downstairs on her own waiting for her father to come down. The plot is based on a true story that occurred in the 1940s in a small village in Uruguay. La casa muda focuses on the last seventy eight minutes, second by second, as Laura tries to leave the house unharmed and discovers the dark secret it hides.

Fleeing the wrath of man-eating vixens who’ve taken over the world, a ragtag caravan of refugees (Ben Sheppard, Maren McGuire, Jamison Challeen and Ileane Herrin) makes its way across the country to the relative safety of the West Coast. But en route, they’re attacked by unrelenting waves of starving strippers. If looks could kill … well, let’s just hope they can’t. Gilbert Gottfried and Daniel Baldwin co-star.

Lance Reed is forced by a psychotic stranger to confront his duplicitous past. Seeking retribution for a crime, the man forces Lance to reveal his inner most secrets by systematically removing his limbs.

State-of-the-art security system creator, Jack Stanfield has cemented his reputation as a man who’s thought of everything. But when a criminal finds a way into Jack’s personal life, everything Jack holds dear is suddenly at stake.

A teenager with boundless imagination tries to solve a murder he witnessed.

Three high school students make an incredible discovery, leading to their developing uncanny powers beyond their understanding. As they learn to control their abilities and use them to their advantage, their lives start to spin out of control, and their darker sides begin to take over.