A slice of life story about a Christmas Eve. In the nineties. At the household of a West-Flemish family. Spoken in West-Flemish. Comical. But tragic if you ask the narrator.
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Playboy Andy Mason, on leave from the army, romances showgirl Edie Allen overnight to such effect that she’s starry-eyed when he leaves next morning for active duty in the Pacific. Only trouble is, he gave her the assumed name of Casey. Andy’s eventual return with a medal is celebrated by his rich father with a benefit show featuring Eadie’s show troupe, at which she’s sure to learn his true identity…and meet Vivian, his ‘family-arrangement’ fiancée. Mostly song and dance.
Henry Poole abandons his fiancée and family business to spend what he believes are his remaining days alone. The discovery of a ‘miracle’ by a nosy neighbor ruptures his solitude and restores his faith in life.
Altan and Gürkan, who caused the daughter of the most dangerous mafia in Central Anatolia, Yasemin, to flee from the wedding in the previous film, will try to rescue her from the tribe in Hakkari. On one hand, they face death threats from Ejder, and on the other, from Engizisyon Cemal. Once again, Altan and Gürkan will mess things up and create a series of ridiculous situations.
After blacking out on his wedding night, Shane and his wife head to a remote estate for their honeymoon. That night, there’s a knock at the door; a waiter and bartender from the reception, blackmailing Shane for something he can’t remember doing. But the blackmailers don’t just want money. They’re after business partners for their invention, an outlandish device called… The Crumb Catcher.
On his way to a restaurant, Ambrose, a happily married man, obliges to mail a letter for a woman in the apartment lobby. Unbeknownst to him, the letter is about a rendezvous with her own lover at their “trysting place”. Elsewhere, after some domestic frustration, Charlie runs an errand to buy a baby bottle before stopping at the same restaurant. After a confrontation there, they both inadvertently leave with each other’s coats. Later, their wives independently discover what appears to be incriminating evidence of extramarital affairs from the pockets of the swapped garments. It all comes to a head when all four of them find themselves at the “trysting place” in the park.
The Man In The Hat sets off from Marseilles in a small Fiat 500. On the seat beside him is a framed photograph of an unknown woman. Behind him is a 2CV into which is squeezed Five Bald Men. Why are they chasing him? And how can he shake them off? As he travels North through France, he encounters razeteurs, women with stories to tell, bullfights, plenty of delicious food, a damp man, mechanics, nuns, a convention of Chrystallographers and much more, coming face to face with the vivid eccentricities of an old country.
In a rural French village, an old man and his only remaining relative cast their covetous eyes on an adjoining vacant property. They need its spring water for growing their flowers, and are dismayed to hear that the man who has inherited it is moving in. They block up the spring and watch as their new neighbour tries to keep his crops watered from wells far afield through the hot summer. Though they see his desperate efforts are breaking his health and his wife and daughter’s hearts, they think only of getting the water.
Piece has second thoughts about starting a gigolo pizza delivery service until he delivers pizza to Snoop Dogg, who gives him the best pizza recipe.
The mayor of Oita wants to improve the image of his city, so he instructs Chiaki – a young woman working for the city’s PR department – to form a female tug of war team. Nobuo MIZUTA mixes comedy, drama and a pinch of social criticism to tell a tale of eight women, their everyday struggles and their support for each other.
A movie about a relationship…that’s worse than yours. Seth (Stewart), a sitcom writer-producer, meets Chelsea (Wilson), an interior decorator, at his best friend’s (Bellamy) wedding. He’s immediately sexually attracted to her while she’s instantly attracted to his single-ness. They both ditch their wedding dates and start their own date that same night. The two become a couple, appearing very happy until after a couple of years of postponing a marriage proposal. When Chelsea realizes that Seth wants to remain single and together, she becomes quite bitter. In the next hour of the movie, the two engage in behavior that makes the War of the Roses look like child’s play.
Using an array of gloves in different styles and from different historical periods, the film is a short history of the cinema – from silent movies via pastiches of Buñuel and Fellini and Close Encounters of the Third Kind to a futurist junkyard where tin cans become animated police cars in a city of urban decay.