A reserved woman executive begins having vivid dreams about a young girl she hardly knows, being brutally murdered. As the dreams intensify, she calls the police and two skeptical detectives are called in. Her husband is the last person to believe her, but the first person she begins to suspect. Then, one of the detectives begins to have the same dreams..
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The Biblical story of Noah and the Great Flood, with a parallel story of soldiers in the First World War.
“Dying is easy. Comedy is hard.” Familiar words for any comic, but for Jason Barnes, comedy provides a brief oasis in a world of confusion, uncertainty and personal turmoil. Wits End follows Jason as he works rooms large and small throughout the country, building a reputation as an up-and-comer in the world of standup. All the while, his off stage struggles to make sense of the world around him threaten to send him over the edge of both a personal and professional breakdown. Honest, bittersweet and often hilarious, Wits End takes audiences on a journey of comedy, sadness and learning to find life no matter where you are along the road.
A hard-living bounty hunter captures a wise-ass criminal, but then the two must work together to evade the crooked cops and trigger-happy mercenaries trying to kill them both.
When his beloved dog goes missing, a young man embarks on an incredible search with his parents to find him and give him life-saving medication.
Adapted from his autobiography, the film recounts the story of Hiroito, The King of Boca do Lixo (a region in downtown São Paulo of the fifties where various nightclubs, strip joints, prostitution, bars, and drugs can be found). Hiroito was a well born bohemian and at the age of 21 was accused for the murder of his father, who was violently stabbed over 40 times with a razor. Hiroito was not charged, however two months after the death of his father, Hiroito bought two guns and moved to Boca do Lixo and became one of the most dangerous criminals of the region.
Bye Bye Blondie tells the tale of Gloria and Frances, who first met when they were both patients in the same psychiatric hospital back in the 1980s, and decided to run away together. At the time their love affair was defined by youthful intensity. Later, when Francis disappeared without a trace, Gloria mourned the loss with a heavy heart. Over 20 years later, Francis (Emmanuelle Béart) and Gloria (Béatrice Dalle) have both turned 40. They’ve taken very different paths in life, with nomadic Gloria spending most of her time in a dive bar, and Frances enjoying success as a popular Parisian TV personality. The wife of a closeted and successful novelist, Francis is locked in a mutually-beneficial marriage of convenience when she once again crosses paths with Gloria, and finds her comfortable world turned upside down.
A black comedy set during the aftermath of the Cronulla riots, it is the story of two carloads of hotheads from both sides of the fight destined to collide.
La Traviata, My Brothers and I tells the story of 14-year-old Nour (Maël Rouin-Berrandou), growing up in a housing project in the South of France, with his older brothers, who take turns caring for their ailing mother, who is in a coma. Nour dreams of becoming the new Luciano Pavarotti, inspired by La Traviata, an opera he knows well because his Italian father wooed his North African mother by singing its arias to her. Between his work in the community and rising tensions at home, Nour dreams of escaping to a faraway place. When he crosses paths with Sarah (Judith Chemla, A Woman’s Life, AF FFF17), an Opera singer teaching summer classes, he finally finds the opportunity to come out of his shell and explore new horizons.
It’s 1994 and Lu Tu (Ethan Juan) is the youngest concierge ever at five-star Chinese hotel; smart, loyal and honest, he’s respected by his fellow employees and lauded by his superiors. When he’s tempted with an invitation to run a new hotel in the Big Apple, everyone around him looks to take advantage of the move, including a love interest (Du Juan) who may not be as trustworthy as she seems.
The true story of the US Government’s 1932 Tuskeegee Syphilis Experiments, in which a group of black test subjects were allowed to die, despite a cure having been developed.
