An intimate journey of a 37-year-old Cristina, as fate brings to her life both a new love and an unbeatable challenge. Determined to pass on a message of hope and a ‘live in the now’ mentality, Cristina’s second cancer takes a toll on her diminishing body, however her love for Bruce only grows. Bruce stands by her side while juggling work and financial strains. The film follows Cristina’s journey into her deep AMOUR, one that supports and lifts her up. If she had to choose between finding this deep and pure love and having cancer, or being cancer free but never experiencing true love… what would she choose? Her shocking answers are captured by veteran filmmaker Michèle Ohayon on camera.

This quirky documentary film tracks art dealer Harvey Jordan on his obsessive journey to find out about the mysteries of ‘Bible Storyland’, an ill fated Bible theme park intended to compete with Disney in 1960s Southern California. Complete with dream sequences, animation and of course, a curse, this fun film plumbs the depths of the many facets of ‘Bible Storyland’, and it’s affects on Harvey and his family. — IMDb Plot: Bible Storyland (2012)

A film director confides in his interlocutor. He talks about the working process, about creative blocks, about artistic crises and expressive forces. At some point, the idea takes hold that this conversation could be turned into a film. And this is the very film we’re watching the two of them in.

Three women whose paths never cross, yet are bound by the shared experience of losing their mothers during adolescence, exploring each one’s sometimes-complex relationship with her mother.

A purely observational non-fiction film that takes viewers into the ethically murky world of end-of-life decision making in a public hospital.

2012: Time For Change is a documentary feature that presents ways to transform our unsustainable society into a regenerative planetary culture. This can be achieved through a personal and global change of consciousness and the systemic implementation of ecological design.

Rita Moreno defied both her humble upbringing and relentless racism to become one of a select group who have won an Emmy, Grammy, Oscar and Tony Award. Over a seventy year career, she has paved the way for Hispanic-American performers by refusing to be pigeonholed into one-dimensional stereotypes.

Bluefin is a tale of epic stakes set in “the tuna capital of the world.” In North Lake, Prince Edward Island, filmmaker John Hopkins tries to shed light on a baffling mystery: normally wary bluefin tuna no longer fear humans, and no one is quite sure why. Astonished Island fishermen and scientists offer conflicting explanations for the bluefin’s puzzling behaviour. One thing is certain: this great resurgence of gigantic tuna flies in the face of scientific assessments claiming that endangered stocks are down by 90 percent.

Beauty products are a multi-billion-dollar industry. Despite public attention, companies continue to get away with harmful practices that leave the average consumer wondering which brand can be trusted. Toxic Beauty’s case in point is the landmark class action lawsuit brought by female cancer survivors against Johnson & Johnson, in the face of the company’s insistence that their baby talc products are safe.

A look at the work and surprising success of a four-year-old girl whose paintings have been compared to the likes of Picasso and has raked in hundreds of thousands of dollars.

This in-depth documentary explores the dark side of American higher education, exposing predatory for-profit colleges and the tactics they use to defraud students and the government.

If you thought TV shows in which audiences and juries judge musical acts were a relatively new phenomenon, you’d better think again. In the 1970s, such “festivals” were incredibly popular in Brazil. They were recorded before a live studio audience, and usually featured a number of elimination rounds. They also formed the springboard for the career of many a big-name star, such as Chico Buarque, Caetano Veloso, Roberto Carlos and Gilberto Gil. Appearing on such a program was no cakewalk, however: audiences could be as wild in their condemnation as in their appreciation of an artist. Extensive archive footage (including performances and behind-the-scenes interviews) from a turbulent final of the Festival of Brazilian Popular Music one evening in 1967 paints a fascinating picture, not only of the transformation of Brazilian music into real “festival” music, but also of a society starting to buck against the yoke of military rule.