Stephen Frears directs this biographical drama focusing on controversial British playwright Joe Orton, revealed in flashback after his murder by lover Kenneth Halliwell. Born in 1933 in Leicester, in the English Midlands, John ‘Joe’ Orton moves to London in 1951, to study at RADA, and enjoys an openly gay relationship with Halliwell in their famous Islington flat in the 1960s. However, when Orton achieves spectacular success with such plays as ‘What the Butler Saw’ and ‘Loot’, Halliwell begins to feel alienated and the pair’s future looks increasingly uncertain.

The haunting story of two incompetent crooks and an unwanted passenger which obviously has its roots in the Banquo’s ghost segment of Macbeth.

Performing art troupe members each face their own trials and tribulations in Chengdu; from escaping a family scandal to dealing with unrequited love, each experiences rejection that shapes their lives in this coming-of-age tale selected to play at the Toronto International Film Festival. Directed by Chinese helming legend Feng Xiaogang.

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Welcome Home is being touted as a psychological drama with lots of thrills. The movie follows a pregnant woman living in a house. She is visited by a few other ladies presumably some officials and ask her about her lifestyle.

Two Chicago couples struggle to keep their love alive when secrets and long-simmering resentments rise to the surface.

An inspiring story about relationships, forgiveness, and priorities. Paul McAllister seems to have it all, but his life starts to fall apart. Guided by the wisdom and advice of an old golf pro, Paul learns about playing a good game both on and off the course.

Sixties couples Michael and Donna and Paul and Erica become involved with the intense Count Yorga at a Los Angeles séance, the Count having latterly been involved with Erica’s just-dead mother. After taking the Count home, Paul and Erica are waylayed, and next day a listless Erica is diagnosed by their doctor as having lost a lot of blood. When she is later found feasting on the family cat the doctor becomes convinced vampirism is at work, and that its focus is Count Yorga and his large isolated house.

Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.

A story of two famous actors who used to be a couple. They reunite after the son’s death and receive a letter asking them to visit five places at Death Valley, which will make the son reappear.

Being the boss will always put a target on your back. But, this target is larger than Anna could have imaged.

A young Vietnamese woman named Song Ha arrives in Budapest to explore her roots and falls in love with Viktor, a Hungarian man.