Four friends are heading to Salem for a Halloween rock concert event. An unexpected detour takes them down a dark path and the girls come face to face with a demon that could inevitably seal their fate.
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Marc Schrader, a rookie cop caught red-handed with drugs in a police raid of an illegal rave, joins a homicide investigation conducted by Chief Inspector Minks. The victim is a naked young woman with the skin stripped off her back, killed as she staggered into traffic. As Schrader and Minks investigate the murder, the case is complicated by a finger found in the stomach of the victim. Forensic examination proves the finger belongs to Nobert Günzel, who was previously convicted of rape and assault. The police raid Günzel’s residence, and discover a blood-stained table with restraints and bits of human flesh in his basement. They also find video equipment and preserved, tattooed skin from the victim’s back. Soon, they found dead bodies buried in the garden. Günzel then goes missing.
Three men, fed up with prostitutes and their perceived role in breaking up happy marriages, decide to go out and hunt down as many prostitutes as they can find. When the police are unable to solve the case, the prostitutes themselves must band together to save themselves.
The story springs from the real-world headlines of religious cults and mass suicides. With Veil, it begins 30 years ago, when members of a religious cult known as Heaven’s Veil take their own lives. The truth behind what really happened remains buried deep in the memory of the sole survivor, a five-year-old girl, who returns to the compound with a documentary crew as an adult. They soon discover something that is far more terrifying than anything they could have imagined.
Big Stevie has a sexual problem. Murder is how he has sex. And Big Stevie knows that there is no better way for a repressed killer to blow off steam than killing a bunch of care-free free-spirited teens. After her friends are all chopped, carved and slashed, sweet young Aggie is left alone to face off against this unreasonable psycho. Now she s got a pervert on her hands. A big one. And Big Stevie s problem could become Aggie s problem real fast.
Luke Parker, a brilliant young psychiatrist has always relied on analysis and logic. But his amazing mind can’t fathom the call of his destiny. Luke’s patient, William Titus embodies why ‘lunar’ is the root of ‘lunatic.’ He’s a serial killer, but more than that, he believes he’s a werewolf. And Titus has a secret. — James Wolf
Sixties couples Michael and Donna and Paul and Erica become involved with the intense Count Yorga at a Los Angeles séance, the Count having latterly been involved with Erica’s just-dead mother. After taking the Count home, Paul and Erica are waylayed, and next day a listless Erica is diagnosed by their doctor as having lost a lot of blood. When she is later found feasting on the family cat the doctor becomes convinced vampirism is at work, and that its focus is Count Yorga and his large isolated house.
Secluded from the world, in XIX century rural Romania, a widow and mother of three must defend what’s left of her family, at all costs, from an old family friend turned foe. Based on one of the best-known Romanian folk tales (The Goat and Her Three Kids by Ion Creanga), this film aims to unveil the true nature of the famed bedtime story and to treat the audience to a different perspective, one that offers a glimpse of what the tragedy looks like beyond the happy songs and affable characters.
The Elliot estate was once a thriving plantation, but by the 19th century, the family has crumbled under the weight of its own excesses. If sordid sexuality and insanity don’t claim their lives, a malevolent force lurking on the land certainly will. Is it a supernatural entity, or simply the poverty-stricken locals seeking revenge? Marj Dusay and Ryan Foley star in this award-winning chiller from auteur Andrew Repasky McElhinney.
Sketch artist Irena Dubrovna (Simone Simon) and American architect Oliver Reed (Kent Smith) fall in love and marry after a brief courtship. But Irena believes that she suffers from an ancient curse and won’t consummate the union for fear that she will turn into a panther compelled to kill her lover.
When Angela (Sarah Smyth) refuses to leave her planned-parenthood clinic after it is shut down by the state, a family of fanatical evangelists vow to make her pay.