Realistic story of working class Yorkshire life. Two schoolgirls have a sexual fling with a married man. Serious and light-hearted by turns. Rita, Sue And Bob Too was adapted by Andrea Dunbar from two of her own controversial plays. Rita (Siobhan Finneran) and Sue (Michelle Holmes) are two teenagers living on a run-down council estate in Bradford who both share a job babysitting for Bob (George Costigan) and Michelle’s (Lesley Sharp) children. Whilst giving them a lift home one night, Bob decides to take Rita and Sue up to a deserted, country-side landscape. Clearly knowing what he has in mind, Rita and Sue are only too happy to oblige and both have a sexual encounter with him that becomes a regular occurrence. Despite the blatant politically-incorrect nature of the film, this does emerge as a somewhat controversial, though enduringly amusing film that has a sharp, gritty undertone.

Aram is a wearied accountant with an unbearably dull existence. With a nagging wife who berates him for not being assertive enough, and a measly paycheck, he quietly suffers while awaiting a long-deserved promotion. But there’s more to Aram than his mild-mannered demeanor lets on: he has been secretly devising a scheme to finally get what he feels he is owed. One day he asserts his power menacingly when he kidnaps a schoolgirl and keeps her tied up in an abandoned warehouse. What seems like the perfect plan soon unravels into his worst nightmare, and his carefully constructed scheme comes crashing down piece by bloody piece.

The escapades of Ginger Meggs, local larrikin. He’s trying to win the heart of Minnie Peters, but the pressures of school, his rival Eddie Coogan and bully Tiger Kelly make life tough for him. Besides, there’s fishing to be done.

Jack Woods is a simple man who finds himself in an extraordinary situation when he must rescue his estrange wife, Jill, from Genetically Modified killer trees. Jack soon finds himself the leader of a rag tag group of heroes out to save the world from the wildly spreading vegetation.

A young widower sidesteps grief, loss, and familial dysfunction when he steals his wife’s ashes and sets off on an impulsive odyssey through America’s heartland in the charming new road trip comedy, Monuments. Ted (David Sullivan) encounters a cast of eccentric characters, including his rival Howl (Javier Muñoz), who direct and misdirect him on his mission to find something he’d lost long before the death of his wife Laura (Marguerite Moreau). Monuments infuses humor and hope into a story of mourning, loss, and marriage to create one of the best feel-good indie films of 2021.

A man makes a startling discovery following his father’s sudden hospitalization and attempts to prevent his family’s secret from reaching the local townsfolk.

A lonely, chain-smoking office lady in Tokyo falls for her teacher when she decides to take English lessons. When her teacher disappears, she sets out on a journey to find him.

When Su Yu, a free-spirited diving instructor, says “Yes” to Nuo Yan, a modern funeral director, she imagines a simple, peaceful wedding. But the reality is just the opposite! From overbearing in-laws, to oppressive loansharks, to a jealous best friend, to a house on fire and a funeral on the wedding day itself, Su Yu and Nuo Yan’s love for each other is tested by family, foes and fate. Will their wedding be the event that brings them closer or tears them apart?

Four young people navigate the suburban wonderland of metro-Detroit looking for love and adventure on the last weekend of summer.

The career and personal life of writer Lee are at a standstill, so he divorces his bashful wife, Robin, and dives into a new job as an entertainment journalist. His assignments take him to the swankiest corners of Manhattan, but as he jumps from one lavish party to another and engages in numerous empty romances, he starts to doubt the worth of his work. Meanwhile, top TV producer Tony falls for Robin and introduces her to the world of celebrity.

Summer 1985, Istanbul. Hakan and Gaye want to give back a music tape to their friend Selen before they leave. Things won’t go as planned.

Don Knotts and Tim Conway star in The Private Eyes, a 1980 comedy about two bumbling detectives solving a murder. It’s an impressively incompetent affair. Every ancient joke falls with a muffled thud as Knotts and Conway ham their way through the pointless story: The lord and lady of a capacious manor are killed, and the lord’s ghost seems to have returned to knock off the staff one by one. There’