Daisy Kenyon (Crawford) is a Manhattan commercial artist having an affair with an arrogant and overbearing but successful lawyer named Dan O’Mara (Andrews). O’Mara is married and has children. Daisy meets a single man, a war veteran named Peter Lapham (Fonda), and after a brief and hesitant courtship decides to marry him, although she is still in love with Dan.
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Caterina finds out that her husband Peter Tzar of Russia, is plotting to kill her. She sets Count Orlov free from prison, Peter’s sworn enemy, becomes empress of Russia and leads the Cossacks army against him.
A 50-year-old mobster struggles to carry out his father’s order to execute a rival’s 9-year-old child.
Six young lives collide in the most horrific and twisted of ways. Based on true events.
A rush-hour fender-bender on New York City’s crowded FDR Drive, under most circumstances, wouldn’t set off a chain reaction that could decimate two people’s lives. But on this day, at this time, a minor collision will turn two complete strangers into vicious adversaries. Their means of destroying each other might be different, but their goals, ultimately, will be the same: Each will systematically try to dismantle the other’s life in a reckless effort to reclaim something he has lost.
The film revolves around, Norman, a world-weary manager of a pier theatre in a seaside resort. Norman has worked in the theatre for all of his life, but will not accept that the local council, which own the theatre are planning to install more commercial management in an attempt to boost audience numbers. As the story unfolds he realises it may be time to move on and put behind him the ghost of 50s & 60s singer Alma Cogan, who performed at the theatre many years ago. Sandra, his devoted long-suffering assistant and Norman decide to leave the theatre to fulfill her dream of being a professional singer and unexpectedly enjoying a late blossoming romance. From Wikipedia.
Paranoia sets in as the Black Death strikes European villagers in the 14th century.
In tiny Colewell, Pennsylvania, the residents gather at the post office for mail and gossip, while the days pass quiet and serene. That is until news comes that the office is to close, and beloved clerk Nora (a marvelous Karen Allen) is left to fight for her job and reflect on the choices she has made that kept her in Colewell for so many years. Touching, with a hint of melancholy, Tom Quinn’s eloquent film is an ode to small-town life and the quiet emotions that come with nostalgia and memories of the past. As fears arise around her future and her past becomes ever more present, Nora states, “I don’t want to be lonely,” but what that means is elusive. Colewell gorgeously captures rural America, while giving space to the beauty of time passing and reflecting on what determines a life well lived.
This movie looks at the last years (not days, as implied in the title) of famous outlaws, Frank and Jesse James. The film opens in 1877 with the brothers trying to settle down after 15 years of thievery. Frank is shown to be a book-loving and family-oriented man, while brother Jesse is a money-hungry womanizer. The movie follows their lives through Jesse’s death at the hands of the “rotten little coward” Bob Ford and Frank’s death in 1892.
CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character – host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect …
When a food critic at the top of her game comes face to face with a chef renowned for refusing food critics to his restaurant at her sister’s wedding, they must find a way to overcome their differences before the big day.
