When Colin Warner was wrongfully convicted of murder, his best friend Carl King devoted his life to proving his innocence.
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Sarah Prentice has lived in her house for the past two years. Her fear of going outside has crippled her ability to interact with the outside world. She struggles through the everyday processes of life as she has an uncontrollable Obsessive, Compulsive Disorder (OCD). Her life is focused on the simple process of getting ready for work. For the everyday person it is as simple as getting up and getting dressed for Sarah it’s a marathon of emotions.
Singapore’s top policewoman, Miss Cleopatra Wong, who heads the Seasian Interpol Criminal Investigation Department (C.I.D.), teams up with her Filipino counterpart to bust a counterfeit currency operation that threatens several Asian countries with bankruptcy. Their dangerous quest takes them from Singapore to Hong Kong and finally Manila where they locate the counterfeit ring’s Asian headquarters, which is being run by local nuns, forced into slave labor.
After his mother’s untimely death, Amir, who sees his father as the only one responsible for their ruined life, is desperate to leave the family home and take Ali, his younger brother. Taking advantage of his connections with Tehran’s golden youth, he embarks on a lucrative business. But one night, a simple delivery turns into chaos and upsets the destiny of the two brothers.
Realistic story of working class Yorkshire life. Two schoolgirls have a sexual fling with a married man. Serious and light-hearted by turns. Rita, Sue And Bob Too was adapted by Andrea Dunbar from two of her own controversial plays. Rita (Siobhan Finneran) and Sue (Michelle Holmes) are two teenagers living on a run-down council estate in Bradford who both share a job babysitting for Bob (George Costigan) and Michelle’s (Lesley Sharp) children. Whilst giving them a lift home one night, Bob decides to take Rita and Sue up to a deserted, country-side landscape. Clearly knowing what he has in mind, Rita and Sue are only too happy to oblige and both have a sexual encounter with him that becomes a regular occurrence. Despite the blatant politically-incorrect nature of the film, this does emerge as a somewhat controversial, though enduringly amusing film that has a sharp, gritty undertone.
A computer specialist is sued for sexual harassment by a former lover turned boss who initiated the act forcefully, which threatens both his career and his personal life.
In a not too distant future, a totalitarian state run by ‘The Director” (Seagal) controls all aspects of life. All enemies of the state are dealt in the harshest way. Most of them are executed by the secret government’s assassins. The best operative is code-named “Condor” (Messner) – an elite agent and hit man for the government. However, in his latest assignment, “Condor” fails to kill an opposition leader, and finds himself on the run from the very same government agency that he works for. This sets in motion a chain of events with unforseen consequences for all involved.
David is a nurse who works with terminally ill patients. Dedicated to his profession, he develops strong relationships people he cares for. But outside of work, it’s a different story altogether.
Female agents battle a gang of diamond thieves.
As the coronavirus upends their lives, two detectives doggedly pursue those responsible for an abduction they realize is part of a sinister pattern.