Will Bastion returns home from the army after an absence of 20 years to bury his father, the former chief of thee Maori tribe, Ngati Kaipuku. The eldest son, he is reluctant to inherit his fathers role, so it is taken more willingly by his younger brother, Kahu. Kahu is the leader of a band of drug dealers and trouble-makers who ride horses through the middle of town, wrecking peoples gardens. Under the guise of refusal of a land settlement, Kahu makes a large marijuana deal with some murdering city folk. Will must choose between loyalty for his brother and his father, Maori tradition, and contemporary financial issues.
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In the early 1990s, Xiaolei, who lives in a small village in western China, longs for a summer holiday without homework after he graduated from primary school. However, it is filled with boring routine, and Xiaolei feels the anxiety around him. When his father has left, Xiaolei realises that his life is completely changed.
Him and her. A husband and a wife staying in a cozy hotel where you can come for just a couple of days with a risk to get stuck forever. It is so easy to get trapped in the daily routine. Indeed, nothing is more permanent than the temporary. Their time is like a flat circle. He has his phone calls and business meetings. She is wrapped in her dreams and doubts. All reactions are predictable, all conversations are learnt by heart. An endless LP record of life keeps playing again and again repeating itself. But a few things can break this tune, like a scratch on the record, a crack on a wine glass, a sudden glance or a meeting with a stranger. And then you know: tomorrow will come soon. Any moment something can go wrong, throw you off course, and force you to make a choice.
“Zadra” is a talented girl from a housing estate who fights for recognition on the rap scene. Although she seems to be an ordinary teenager, in front of the microphone she gains incredible energy and charisma, thanks to which she can captivate crowds.
Julián finds love and a reason for living in the last place imaginable: the Dominican Republic’s Najayo Prison. His romance, with fellow prisoner Yanelly, must develop through sign language and without the knowledge of dozens of guards.
On a rainy evening, 19-year-old university student Fumi Saeki happens to meet 9-year-old Sarasa Kanai in the park. Kanai Sarasa is soaking wet. She is separated from her parents and lives with her aunt, but she tells Saeki Fumi that she doesn’t want to go back to her aunt. Saeki Fumi takes Kanai Sarasa to his apartment and they live together for the next 2 months. Saeki Fumi is then arrested for kidnapping. He is labeled as a dangerous kidnapper and Kanai Sarasa is labeled as a poor victim. 15 years later, Kanai Sarasa and Saeki Fumi happen to meet each other.
Nadine and Lewis move to a small Bahamian island hoping to restore their relationship in the wake of a tragedy, only to find the picturesque island torn in two: on one side a dangerous human trafficker and on the other an aging patriarch, struggling to maintain order.
Three petty thieves who the police believe to be major criminals are chased into a basement bar where they take five hostages including all the bar employees. The rest of the movie deals with the cops lurking outside the bar while the trio try to get hold of the situation inside.
In Korea, on 6 September 1950, Lieutenant Benson’s platoon finds itself isolated in enemy-held territory after a retreat. Soon they are joined by Sergeant Montana, whose overriding concern is caring for his catatonic colonel. Benson and Montana can’t stand each other, but together they must get the survivors to Hill 465, where they hope the division is waiting. It’s a long, harrowing march, fraught with all the dangers the elusive enemy can summon.
Alyssa has a relationship with abusive Steven as a teen, has his child but gives it up for adoption. Years later, their daughter seeks them out, and Steven manipulates her into an affair, neglecting his family.
Zu, a free spirit estranged from her family, who suddenly finds herself the sole guardian of her half-sister, Music a teenager on the autism spectrum whose whole world order had been beautifully crafted by her late grandmother. The film soon challenges whether it is Zu or Music who has a better view of the world, and that love, trust, and being able to be there for each other is everything.