A killer of Detroit clergy confesses to a priest (Donald Sutherland), who turns sleuth because he cannot tell the police.

A gang of innocent but feisty kids who lead carefree lives in Chandan Nagar colony take own the big bad world of politics when one of their friend’s life is endangered.

Laura has been with Antonio all her life and, just when she begins to wonder if that is really the life she wants, Sergio and Siena cross paths in their lives. Sergio is a former high school classmate and Siena, his millennial girlfriend who arrives to revolutionize everyone’s lives. Laura, Raquel and Cris, close friends for years, convince their respective husbands to play a game that Siena proposes to them: the game of keys. The game consists of everyone putting their keys in a bowl. At random, each one chooses some keys and he must go to spend the night with the owner of the keys. This game will revolutionize the group of friends and their lives. It will make them discover who they are and what they really want.

Ever wonder what it would be like to bring your favorite dead rock star back to life? Alberta certainly has. Since she was a kid, she’s dreamed of a world where ultimate 60s rock icon Russell Aquarius was still alive and writing songs just for her. Now a successful computer programmer, she takes her fandom and wishful thinking a step further and makes a Russell Aquarius avatar. Her loneliness and a freak power outage give her more than she bargains for when sparks fly not just in her computer, but also in reality when Russell’s avatar comes to life.

Bahia Benmahmoud, a free-spirited young woman, has a particular way of seeing political engagement, as she doesn’t hesitate to sleep with those who don’t agree with her to convert them to her cause – which is a lot of people, as all right-leaning people are concerned. Generally, it works pretty well. Until the day she meets Arthur Martin, a discreet forty-something who doesn’t like taking risks. She imagines that with a name like that, he’s got to be slightly fascist. But names are deceitful and appearances deceiving.

Manifest: The Chryzinium Era is a 2017 American science fiction short film drama, written, directed and produced by Rick Lord, Phillip Wade and Tim Wade, in which Madison and her father are outcasts in a society ruled by an alien civilization. Survival is becoming more difficult, forcing Madison to make a decision that will change her life forever. The film stars Phoebe Jacobs, Rick Lord and Tim Wade.

After a long voyage from Scotland, pianist Ada McGrath and her young daughter, Flora, are left with all their belongings, including a piano, on a New Zealand beach. Ada, who has been mute since childhood, has been sold into marriage to a local man named Alisdair Stewart. Making little attempt to warm up to Alisdair, Ada soon becomes intrigued by his Maori-friendly acquaintance, George Baines, leading to tense, life-altering conflicts.

Villagers advise an abusive husband to channel his rage in the army. There, he must come to terms with violent urges that have deep and painful roots.

When the denizens of Littlehampton – including conservative Edith – begin receiving letters full of hilarious profanities, rowdy Irish migrant Rose is charged with the crime. Suspecting something amiss, the town’s women band together to investigate.

A trio of awkward teens intend to win a horror festival by making their own movie, but wind up getting their actress possessed in the process.

In the year 2222, a former drug dealer is kept in a state of hibernation. Reanimated, he tells his story. Leader in the narcotics market, his situation was prosperous until, during a political change, the government legalized its use.

Josephine has her eye on Joe, a hot-headed, petty criminal who taps phones for a living. When she finally worms her way into his heart she realises it’s not a nice place to be. But is it too late?