Seven vignettes explore the difference between fantasy and reality, memory and history, and the joy and agony of the human condition.

When eight sailors onboard their fishing trawler find a mysterious girl mid-sea, ill fortune falls upon the boat as they don’t catch any fish the next few days. The fishermen try to make it back home, although the sea has other plans for them. The film’s story metaphorically connects with the mythology of Bengali culture.

Based on the writer/director’s childhood, FARMING tells the story of a young Nigerian boy, ‘farmed out’ by his parents to a white British family in the hope of a better future. Instead, he becomes the feared leader of a white skinhead gang.

During summer break, 14-year-old Darious explores the boundaries of his manhood through tumultuous interactions with Malcolm his strict father and a burgeoning mentorship with mysterious drifter Porter.

Li Er, a 17 year old girl who has great difficulty hearing out of her left ear, is rejected after confessing her love to a boy, Xu yi. Instead the boy is in love with Li Bala, a girl who is in fact in love with Zhang Yang. Li Er befriends Li Bala, who dies due to an accident. As the movie progresses, Li Er overcomes her hatred of Zhang Yang, whom she blamed for Li Bala’s death.

Leslie (Tony Award Winner ALICE RIPLEY), a housewife and 50-plus piano teacher, decides to follow her life-long dream of being a rock ‘n roll singer much to the chagrin of her husband (SAG Award Winner ROBERT CLOHESSY), who is running for political office and her daughter (LEAH BARKER) who is about to embark for college.

Sheriff Joe Haladin is back, and this time, a vicious ex-con returns to Arlettsville and commits a crime so vile, it consumes the whole town and the whole country. Evil knows no bounds, but neither does Sheriff Joe.

In 1950s Connecticut, a housewife faces a marital crisis and mounting racial tensions in the outside world.

A remote helpline volunteer is targeted by a stranger who lures women from their homes with a recording of a crying baby.

A broken man finds the one thing he can’t live without only to lose it. He can’t bring back the woman he loves, but he can cover the ground with the blood of his enemy.

One suspects writer-director Carol Lai may have harboured some Black Swan ambitions with a tale that also centers around a stage practitioner who embarks on an unwitting destructive journey when playing a role to die for. The Second Woman, whose Chinese title Romance Riddle may hold better clues as to how this film developed, being more of a guessing game that threw constant clues rather than a overly romantic film about twins falling in love with a man who decided it’s perfectly OK to string both women along, until he discovers that this spells double trouble.

Emma has a strong aversion towards her family’s new house, especially the attic. After moving in, she becomes miserable and reclusive. The rest of her family also seems unhappy and unsettled. The situation escalates one day when Emma is in the attic alone. All of a sudden someone who looks exactly like Emma attacks her viciously.