In this sequel to his 1978 “When Every Day Was the Fourth of July” (and a pilot to a prospective series), producer/director Dan Curtis recalls more of his youth during the late ’30, and follows a fictionalized family where the father has jeopardized a promising law career to defend a Jewish immigrant against the prejudices of a staid New England town.

Richard Davalos plays Rick Bowman, a drag racing street punk who comes to the attention of car enthusiast Grant Willard. Willard bails him out of jail and offers him sponsorship as a race car driver. Bowman eventually accepts and becomes entranced by the tricky “figure eight” track Willard introduces him to. The king of the track is cocky and talented hot dogger Hawk Sidney (Hill regular Sid Haig in one of his most memorable and entertaining roles). Bowman and Sidney clash and Bowman sets his sights on knocking the latter of his perch while stealing his girl Jolene. This is just the beginning for the ruthless Bowman who will let nobody stand in his way and will attempt to destroy any man, and seduce any woman who crosses his path. Pretty soon he has his eyes on Ellen McLeod the wife of champion racer Ed McLeod who he befriends. Will he betray his friends and colleagues on the eve of The Big Race, or will he finally discover he has a conscience?

Young and eager police recruit Chris shoots a mentally ill man on duty. He is celebrated a hero, but soon after, traumatic symptoms begin to surface. In a desperate attempt not to be exposed by his tough superior Konstantin, he resorts to excessive violence, in order to hide his trauma and fulfill his dream of becoming an elite cop.

Eleven articulate people work through affairs of the heart in L.A. Paul produces Hannah’s TV cooking show. Mark is dying of AIDS. Men have scalded Meredith so she rebuffs Trent’s charm, but he persists. The trendy, prolix Joan tries to pull the solitary Keenan into her orbit. An adulterous couple meet at hotels for evening sex. Hugh tells tall tales, usually tragic, to women in bars.

In the first hour of the two-part back-to-back special, Colleen Stan: The Girl in the Box, kidnapping survivor Colleen Stan tells the story of her seven-year ordeal. Abducted by a sadistic predator and his wife, she was brainwashed, tortured, and largely confined to a coffin-size box. From the very spot where she was first picked up, Colleen provides a riveting first-hand account. She explains how a slavery contract prevented her from running, and how mind control prevented her from going to police even once she was free. In the second hour learn how Colleen embraces freedom, but no matter how much she wants to move on, the past won’t go away. When she eventually took the stand at her abductor’s trial, she found herself portrayed as a willing participant. Evil may cast a long shadow, but faith and family ultimately allowed Colleen to reclaim her identity and find her mission.

Ruja inherited a collection of paintings from his father painter. She has to hurry and repair the images for resale. Then bring money to keep the eyes of Rachel’s daughter, with young artist Tim (art restorer) in charge of repairing the “cracks” that appear on the paintings. But as the two got closer to the painting The terrifying experience threatened them even more. Or this priceless piece of art will come with priceless something?

When Blanche meets Grégoire, she thinks she has found the one. The ties that bind them grow quickly, and a passionate affair ensues. Together, they relocate. For Blanche, far from her family, from her twin sister, Rose, a new life begins. But little by little, she finds herself caught in the grip of a deeply possessive and dangerous man.

A film crew working on an Unsolved Mysteries-type-show in the mid-90s gets more than they bargained for when they arrive to film at an abandoned house only to find out it may not be abandoned after all.

Two young brothers are abandoned by their mother during summer of 1948, they run into the forest and survive there for seven years.

Sören Mårtensson is a middle school teacher. His classroom occupied by half-grown children. His work is tormenting him and at night he is haunted by nightmares.

Mother Nature loves to cause mischief, and she steps in to help two love-starved souls find happiness. She helps an aging professional woman and single mother, Rosie, who’s unlucky in love find her match with Adam, a much younger man. As their relationship blossoms beyond physical attraction, matters complicate when her adolescent daughter starts to fall for a handsome local boy.

Three teenagers are confined to an isolated country estate that could very well be on another planet. The trio spend their days listening to endless homemade tapes that teach them a whole new vocabulary. Any word that comes from beyond their family abode is instantly assigned a new meaning. Hence ‘the sea’ refers to a large armchair and ‘zombies’ are little yellow flowers. Having invented a brother whom they claim to have ostracized for his disobedience, the uber-controlling parents terrorize their offspring into submission.