“Listen: Billie Pilgrim has come unstuck in time.” Slaughterhouse-Five is an award-winning 1972 film adaptation of Kurt Vonnegut’s novel of the same name. Director Hill faithfully renders for the screen Vonnegut’s obsessive story of Pilgrim, who survives the 1945 firebombing of Dresden, then lives simultaneously in his past, present, and future.

Two teenagers from a remote religious community travel to town in search of shelter after being told by their Evangelical parents that an asteroid will soon destroy the earth.

In the year 2041, the rebel Centros are a plague to the survivors of the great toxic gas scare of 1993. A renegade Megarobot pilot and an archaeologist must team up (despite personal differences, a reluctant romance, and official pressure to cease and desist) to thwart the Centro’s attempts to resurrect a hidden Megarobot, with which they can challenge the prevailing order.

Due to climate change a new race of flesh eating predators arise, who invade and eat everything living on earth. In a residential neighbourhood in a Danish suburb nightmare like scenes are being experienced first hand through the eyes of two teenage brothers, who can’t stand each other, but are now suddenly forced to barricade themselves in the basement together, to avoid getting eaten. From one day to another, without parents and without electricity, food, water and contact to other people, the brothers have to learn to live together in their vital protection bunker, while monsters move past the basement windows and heavy, sharp claws can be heard moving around upstairs on the wooden floors.

A scientist becomes obsessed with bringing back his family members who died in a traffic accident.

When the zombie apocalypse arrives, groups of survivors band together to defend themselves at any cost. Unfortunately for the remaining few, zombies have evolved into different species altogether and exist not just in this dimension but in a dimension of their own. With little hope, the humans gather strength for one last chance at saving their world in this intensely twisted anthology.

The King of Fighters movie will introduce a new science fiction spin into the setting established in the games universe by following the surviving members of three legendary fighting clans who are continually whisked away to other dimensions by an evil power. As the fighters enter each new world they battle that universes native defenders, while the force that brought them seeks to find a way to invade and infect our world.

Four stories about Finnish life intersect. In the first story, the ex- bassist Tom makes a mistake. He calls the old band mate, drum artist Monkki Mähönen renovation of this property to the wife ‘s summer home. The story starts to get “kauhuelokuvamaisia​​” features the Monkki and the lady of the house Stina on a collision course. The following story wannabee – motorcycle gang and its leader Jouni humiliated in the village shop. Jouni decides to avenge the humiliation robbing trade. He is a tough movie freak and draws its revenge plan inspired by the famous action movies. In the third story of the journey of the yellow press, the early days of the sixties to mid. During the film has become known for bad behavior Helsinki fantasy and sci-fi director Kurt von “Kurre” Riikonen, which rises at the center of the fourth story.

It is a time of chaos. Earth is no longer what it used to be. It has been infested with a bug like species called the Blue. Yuji Kaido, who has a mysterious disease, is put into suspended animation until a cure is found. When he wakes up Yuji learns that its been more than 20 years since he was put into suspended animation, and the world is now controled by these creatures. He joins a group of soldiers equipped with powerful mechas to fight against the Blue for hope of a better future.

Since they were both five, Ryosuke has been stalked by Momoko – the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste – but still he wants nothing to do with her. Ryosuke goes in for fleeting romance – for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke’s little finger hacked off. Magically, the finger falls into Momoko’s hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba’s short-but-powerful feature debut. Just like in her previous short films, the director – who cut her teeth in the advertising world and as the writer of a video game – throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR

Mushi are beings in touch with the essence of life, far more basic and pure than normal living things. Most humans are incapable of perceiving Mushi and are oblivious to their existence, but there are a few who possess the ability to see and interact with Mushi. One such person is Ginko who travels from place to place to research Mushi and aid people suffering from problems caused by them.

An alien intending to claim Earth for his people before their homeworld is destroyed by a comet decides not to eliminate humanity when he hears their music. Instead, he lives among them until another alien is sent to find and kill him.