In the 1930s, Count Almásy is a Hungarian map maker employed by the Royal Geographical Society to chart the vast expanses of the Sahara Desert along with several other prominent explorers. As World War II unfolds, Almásy enters into a world of love, betrayal, and politics.

When renowned crime novelist Harlan Thrombey is found dead at his estate just after his 85th birthday, the inquisitive and debonair Detective Benoit Blanc is mysteriously enlisted to investigate. From Harlan’s dysfunctional family to his devoted staff, Blanc sifts through a web of red herrings and self-serving lies to uncover the truth behind Harlan’s untimely death.

A mild-mannered bank executive (Aaron Eckhart) mentors a teenage con artist and tries to make a career change as a doughnut merchant.

Sam and Silvy are best friends. One night, as they are watching a falling star while floating on their backs in a lake, Sylvy disappears from his side. Despite his best efforts, he cannot find her under water. Many years later, Sam, now a psychologist, returns to bury his father. Back in his hometown, he meets a woman called Ruby who reminds him in so many ways of his lost love.

Convicted killers David Sweat and Richard Matt seduce bored, restless, small town mom Joyce Mitchell who aids and abets their audacious jailbreak.

Draculaura’s Sweet 1600th birthday is an extra special occasion to party at Monster High! But her high expectations lead to deadly results when she’s faced with the choice between practical boyfriend Clawd, and new vampire heartthrob, Valentine, a romantic blast from her past. Her ghoulfriends find it odd that Valentine created a holiday in her honor, but oddly named it after himself (how romantic?) and have to stop him before he steals her heart… literally. Draculaura must decide which boy is right for her before the party! Will she find out about Valentine’s sinister plan? Will her best ghoulfriends be able to help her in time? And most importantly… will Draculaura pass her driving test?

An acclaimed painter travels to Japan for an exhibition where he takes advantage of his free time to enjoy a Japanese bath or onsen. However, there is more to it than that. He is told that the owner of the bath has a false work of his. He meets a look-alike at the bath and the situation lends itself to what comes next

Realistic story of working class Yorkshire life. Two schoolgirls have a sexual fling with a married man. Serious and light-hearted by turns. Rita, Sue And Bob Too was adapted by Andrea Dunbar from two of her own controversial plays. Rita (Siobhan Finneran) and Sue (Michelle Holmes) are two teenagers living on a run-down council estate in Bradford who both share a job babysitting for Bob (George Costigan) and Michelle’s (Lesley Sharp) children. Whilst giving them a lift home one night, Bob decides to take Rita and Sue up to a deserted, country-side landscape. Clearly knowing what he has in mind, Rita and Sue are only too happy to oblige and both have a sexual encounter with him that becomes a regular occurrence. Despite the blatant politically-incorrect nature of the film, this does emerge as a somewhat controversial, though enduringly amusing film that has a sharp, gritty undertone.

To fulfill the last wish of her deceased mother, grieving Holly seeks out love and finds it in Matthew; their relationship swiftly becomes very close and all-encompassing. After receiving the news of Matthew’s ailing mother, both arrive to provide care in her final days, only to be faced with a nightmarish reality spiraling out of control.

On his twenty-first birthday, the Prince goes on a quest that takes him across the land searching for the one woman that gets him sexually excited, Princess Sleeping Beauty.

Martha Beck, an obese nurse who is desperately lonely, joins a “correspondence club” and finds a romantic pen pal in Ray Fernandez. Martha falls hard for Ray, and is intent on sticking with him even when she discovers he’s a con man who seduces lonely single women, kills them and then takes their money. She poses as Ray’s sister and joins Ray on a wild killing spree, fueled by her lingering concern that Ray will leave her for one of his marks.

Fred lives on his own. His wife is dead, his son has left. He leans on the church, busses, meat-and-two-veg. Then Leo appears. Leo is a tramp. Fred lets Leo move in with him. An absurdist feature debut with a laugh and a tear in stuffy Netherlands.