In 1957, Dorothy and Edmund Yates (Keith and Rupert Davies) were committed to an institution for the criminally insane, she for acts of murder and cannibalism and he for covering up her crimes. Fifteen years later, they are pronounced fit for society and released. However, in Dorothy’s case the doctors may have jumped the gun a bit. Edmund and eldest daughter, Jackie (Deborah Fairfax), try to discover just how far Mother’s bloodlust has taken her. Meanwhile, youngest daughter Debbie (Kim Butcher) begins to explore the crazy roots of her family tree as fully as possible.
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Raina was inherited a hotel in Semarang by her father. He and his younger brother eventually managed the hotel. However, there was one unnumbered room that his father asked him not to disturb. But now, what was in the room was starting to disturb the visitors.
A horror film that depicts St. Nicholas as a murderous bishop who kidnaps and murders children when there is a full moon on December 5.
Leaving the city behind for a weekend of booze, bud and bonding at the coast, seven friends find themselves stranded en route to South Padre Island when a big storm interferes with their plans. The town of Middle Spring is more than happy to welcome them with open arms, however; located in the rhinestone buckle of the Bible Belt, Middle Spring is smack-dab in the middle of a big barbecue and tent revival and there’s always room at their table for a few more warm bodies. Unfortunately, no one in Middle Spring is exactly who they seem to be— this town takes the Bible quite literally, and the friends have to stick together as time begins to run out and they realize that what’s on the menu may be closer to home than they suspected.
Somewhere in the middle of the English countryside a former judge and a group of former prison warders, including his lover, run their own prison for young women who have not been held properly to account for their crimes. Here they mete out their own form of justice and ensure that the girls never return to their old ways.
A new reality show invites five brave souls to spend the night at Camp Blood, where over a dozen people were murdered by the infamous “Clown” years ago. Whoever remains at the end of twenty-four hours will split a million dollars. To drive away the contestants, the producers have rigged several “scares” as well as hiring a stuntman dressed as The Clown. But as night falls, screams of terror fill the desolate woods as a real blood thirsty killer begins cutting down the competition, one by one. Is the legendary Clown back, or is one of the group willing to kill for the prize?
A doe-eyed knife-wielding killer is on the loose in a small town slicing and dicing men of questionable intent left and right. As her brutality leaves a town littered with corpses, her unquenchable blood-lust is lost on her young lover who is willing to pursue her regardless of the obvious warning signs of psychosis. Will he meet his end at the end of her blade? She decides who lives or dies!
A genetic engineering experiment gone horribly awry turns a large flock of docile sheep into unrelenting killing machines in this rural horror comedy directed by Jonathan King and featuring special effects designed by Weta Workshop.
Wrath of the crows is very gory and brutal, but tied by a strong concept and the whole story is focused on the characters’ development. So there’s not only splatter sequences, but also atmospheric moments, a few dream-like sequences and a final twist that will shock you all.
After moving to a small town, Zach Cooper finds a silver lining when he meets next door neighbor Hannah, the daughter of bestselling Goosebumps series author R.L. Stine. When Zach unintentionally unleashes real monsters from their manuscripts and they begin to terrorize the town, it’s suddenly up to Stine, Zach and Hannah to get all of them back in the books where they belong.