Pete Davidson jokes about rumors, free plane rides and his very weird year as he invites his friends onstage for a night of stand-up comedy and music.

An insider’s account from the perspectives of those who helped construct America’s counter-terrorism machine — and of its targets.

Tarō Okamoto became world-famous by designing the “Tower of the Sun” at Expo ’70 in Osaka. The ideas and problems that came with its creation, however, are intertwined with the evolution of Japanese culture – from the Paleolithic up until modern times. In his documentary debut, director Kōsai Sekine takes us on a philosophical journey that transcends the visual limits of documentaries.

A look at the extraordinary achievements and contemporary legacy of Oscar Micheaux, a pioneer of the African-American film industry.

“100 Years” is the David vs. Goliath story of Elouise Cobell, a petite, Native American Warrior who filed the largest class action lawsuit ever filed against the United States Government and won a $3.4 billion settlement for 300,000 Native Americans whose mineral-rich lands were mismanaged by the Department of the Interior.

Filmed live at Edinburgh Castle, Edinburgh, Scotland, summer 2011. Includes performances by: the Massed Pipes and Drums, The Band of the Royal Netherlands Army Mounted Regiments, The Brazilian Marine Corps Martial Band, The German…

The film explores the destruction of a unique train station in Zurich and the construction of the new prison and police centre in its place. From the perspective of the filmmaker’s window, and with testimony from prisoners awaiting deportation, the film probes how we deal with the extinction of history and its replacement with total security.

Ending the Silence explores patriarchal and hierarchal structures in the church that foster the devaluing and demonizing of sex, women, and the LGBTQ community.

Secrecy regarding UFOs during our early space programs takes center stage in this film. Researchers present the facts with expansive UFO evidence presented on each space mission from X-15, Project Mercury to the final Gemini Missions.

Hull, England, 1970. In a run-down commune in a tough port city, a group of social misfits – mostly working class, mostly self-educated – adopted new identities and began making simple street theater under the name COUM Transmissions. Their playful performances gradually gave way to work that dealt openly with sex, pornography, and violence. COUM lived on the edges of society, surviving on meager resources, finding fellowship with others marginalized by the mainstream. At the core of the group were two artists, Genesis P-Orridge and Cosey Fanni Tutti. As their work evolved, Cosey embarked on a career modeling for pornographic magazines, which she claimed for herself as a conceptual artwork, using it to forge a specific position in relationship to 1970s feminism. In performances, Genesis pushed himself to extremes, testing the limits of the human body.

When NATO troops withdrew from Afghanistan, the Afghan National Army (ANA) took over control of Helmand Province, an extremely dangerous region where attacks by Taliban fighters are the order of the day. Security, much less peace, would seem to be unattainable; it is even difficult to find a common language in a country where everyone mistrusts each other. The directors of this film accompanied an ANA company during a year of frontline duty in Helmand. The soldiers are paid irregularly, there are not enough supplies and their equipment is substandard. They cannot fight a war with the equipment left behind by the ISAF.

David Spade focuses on pop-culture bashing in his first solo HBO TV comedy special that aired on April 17, 1998 and was taped in front of a live audience. In this 60 minute show, David Spade uses his everyday life experiences as a platform for his jokes.