Sent to live with his estranged father for the summer, a rebellious teen finds kinship in a tight-knit Philadelphia community of Black cowboys.
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Three months ago, Piper met Mollie online. And Mollie changed everything. Now a knock at the door. John Sharp. Mollie’s brother. He was sent to talk Piper out of the thing’s she’s threatening. But neither may be who they claim to be.
A submarine commander is on a relentless pursuit of a Japanese aircraft carrier in the South Seas during World War II.
Manu is released from prison and strives to rekindle his love with Priya.
Culloden is a 1964 docudrama written and directed by Peter Watkins for BBC TV. It portrays the 1746 Battle of Culloden that resulted in the British Army’s destruction of the Scottish Jacobite uprising and, in the words of the narrator, “tore apart forever the clan system of the Scottish Highlands”. Described in its opening credits as “an account of one of the most mishandled and brutal battles ever fought in Britain”, Culloden was hailed as a breakthrough for its cinematography as well as its use of non-professional actors and its presentation of an historical event in the style of modern TV war reporting. The film was based on John Prebble’s study of the battle.
A depressed woman must come to terms with her own vulnerability when she hires an eager Professional Cuddler on Christmas Eve.
Talented and cutthroat hairstylists at a competition find one of their own murdered before judging can begin. Winding through neon-lit halls, competitors unspool long-simmering resentments and lies as they search for the killer among them.
Adèle’s life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire, to assert herself as a woman and as an adult. In front of others, Adele grows, seeks herself, loses herself, finds herself.
When a New York lawyer returns to his Boston hometown to reunite his dying friend with his young son, he is forced to finally confront a childhood trauma.
At a college in Rome, a professor, nicknamed “Dodo” is in a deep depression. His stunningly beautiful wife has just left him for another man. Dodo wants her back very badly and has erotic daydreams about her. A beautiful young student in his class asks him for a ride home and seduces the lucky man, but still he wonders about his wife and her lover.
Unannounced, Aziza is once again standing in her room – internship, Portugal, everything canceled. But her room is occupied. Her mother, Trixi, has rented it out. Zach lives there now, a twenty-something from New Zealand, who came to Germany on a one-way ticket. Starting from this situation, the film develops an almost documentary-style portrait of a Kreuzberg ‘situation’: everything is readily available, time, people, summer, streets. And in the end a crash, the film itself: ‘for nothing’?
Dispatched from his basement room on an errand for his mother, slacker Jeff might discover his destiny (finally) when he spends the day with his brother as he tracks his possibly adulterous wife.
