A school teacher is forced to confront a brutal act from his past when a pair of ruthless drifters takes him and his family on a nightmare road-trip.
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From the makers of The Last Exorcism comes a boldly original vision of horror. What if the most chilling novel of all time was actually based on a true account of a horrific experiment gone awry? When he is suspended from his university job for his outlandish ideas, Professor John Venkenheim leads a documentary film crew to the rim of the Arctic Circle in a desperate effort to vindicate his academic reputation. His theory: Mary Shelley’s ghastly story, “Frankenstein,” is, in fact, a work of non-fiction disguised as fantasy. In the vast, frozen wilderness, Venkenheim and his team search for the legendary monster, a creature mired in mystery and drenched in blood. What they find is an unspeakable truth more terrifying than any fiction…a nightmare from which there is no waking.
Seven years on from the events of Monsters, and the ‘Infected Zones’ have spread worldwide. Humans have been knocked off the top of the food chain, with disparate communities struggling for survival. American soldiers are being sent abroad to protect US interests from the Monsters, but the war is far from being won.
A single mother and her young daughter struggle to make ends meet until they inherit their family’s farmhouse. When a business rival covets their water rights, the situation spirals out of control.
A troubled and bullied high school student fights against judgement from his community after threatening to bomb the football team.
In the grip of grief following the death of his young son, his marriage on the rocks and nearing bankruptcy, Parker reluctantly returns to work as a private investigator. Embarking on an unusual assignment to observe a woman from an abandoned apartment, Parker witnesses bizarre happenings surrounding her, unaware that the derelict building that he surveys her from has birthed a dark presence which slowly threatens to consume him.
Maryam accidentally killed her husband Nasser and is sentenced to death. The only person who can save her is Mona, Nasser’s daughter. All Mona has to do is appear on a TV show and forgive Maryam. But forgiveness proves difficult when they are forced to relive the past.
After a car accident and stranded in the middle of nowhere, an ex-con and his daughter find themselves in an abandoned hotel, populated by sub-human cannibalistic creatures.
Alienated and cold, The Mortician (Method Man) processes the corpses with steely disregard. He is lonely and isolated. He is introduced to his new employee, Noah, (EJ Bonilla) by the morgue boss (Edward Furlong). Noah is a volatile youth working as part of his parole.Noah brings the notorious gangster, Carver (Dash Mihok), and his crew to the mortuary door. The Mortician’s attention is pricked by the tattoo of Botticelli’s ‘Birth of Venus’ inked on the body of a murdered woman (Judy Marte), that arrives at the morgue, triggering a series of haunting dreams from his childhood. Discovering a scared child, Kane (Cruz Santiago), fleeing the morgue, he’s forced to act. They become reluctant allies, struggling for redemption as they run. Through his awkward heroism, the Mortician reconnects with his long forgotten past, and finds the answers he’s been searching for. He find redemption and peace.
In a remote Irish village, a damaged Finbar is forced to fight for redemption after a lifetime of sins, but what price is he willing to pay? In the land of saints and sinners, some sins can’t be buried.
During the last broadcast of 60 Minutes Before Midnight, the most watched journalistic program on television, Adrián Marcato could expose a conspiracy and link the government to a obscure secret society.
