Marty (Alfred Molina) is a down-and-out jazz musician with colorful dreams of making it big, but right now he’s living on the edge and making small money by giving music lessons to people who don’t seem to want them. His sometimes girlfriend, Sheila (Maggie O’Neill), is a barmaid at the Rose of Sharon, a local pub owned by the hot-tempered Frank (Seymour Cassel). One day Sheila takes an old rocking chair out of the pub’s storage and gives it to Marty; he then discovers that the chair is haunted by two ghosts, a middle-aged woman named Lilly (Marianne Faithfull) and a precocious little girl named Ruthie (Rachel Bella). Ruthie seems to be from the turn of the century, but Lilly is contemporary. These easygoing souls appear to Marty and enliven his life with non-threatening pranks, but things turn serious when Marty discovers Lilly was Frank’s wife, who killed her in a fit of rage. With the help of the mortal, the ghosts plan revenge.

Poor Gregory, after being released from the Wishing Well Sanatorium, all he wants to do is make the children happy. So Gregory reopens the old ice cream factory, and all the unappreciative brats are reprocessed into the flavor of the day.

Arab-American comedian Mo Amer recounts his life as a refugee comic, from traveling with the name Mohammed to his long path to citizenship.

Ooejo agricultural high school is located in Hokkaido. Most students are from families involved in agriculture and their dreams are to continue working in agriculture. Meanwhile, Yuugo (Kento Nakajima), who graduated from a prestigious middle school, applied to the Ooejo Agricultural High School just because the school has a dormitory. Yuugo, who grew up in the city, finds himself in an unfamiliar environment at Ooejo Agricultural High School, surrounded by nature and animals. Yuugo is also the only one who doesn’t know what type of career he wants to pursue. Yuugo becomes impatient. He goes through struggles everyday, but he he also gets to know the other students and rural life in general. He begins to grow as a person.

After Fanie takes Dinky, a strong Zulu woman, to his Afrikaans family wedding, the two find an unexpectedly fun cross-cultural romance. But in order to marry Dinky, Fanie must negotiate to pay Lobola (a South African dowry).

Russell Walker is a young, successful manager of rap performers, handling acts for the Krush Groove label, including Run-DMC and The Fat Boys. When Run-D.M.C. has a hit record and Russell needs more money to press more copies, he borrows it from a street hustler and soon regrets his decision.

The Wild West, circa 1870. Samuel Alabaster, an affluent pioneer, ventures across the American frontier to marry the love of his life, Penelope. As his group traverses the west, the once-simple journey grows treacherous, blurring the lines between hero, villain and damsel.

A dentist finds himself a murder suspect after a sexy patient seduces him into prescribing her drugs

Fasten your seatbelts as Luenell sounds off on bad seatmates, first-class feuds, sockless babies and more travel mishaps in this brash stand-up special.

After moving to Palm Springs, a young married couple puts their love to the test when they discover that their neighbors are swingers.

“A Man Called Jon” is a light-hearted dramedy about Pastor Jon Terrell Carson’s unusual style of worship. Jon’s church is very traditional and is not accustomed to outbursts during service. One day after embarrassing the church along with his family, Senior Pastor Stannum decides to reach out to the Bishop requesting that Jon be assigned to a church more suited to his style of praise. Jon and his family find themselves at an African American Church, where he is confronted by Associate Pastor Dickens, who later informs him that he was sent to the wrong church due to mix-up in paperwork. Jon is moved to his third church where he struggles to fit in. Will Jon be able to control his celebration or will he be moved for a fourth time?

Mags and Julie Go On A Road Trip is a heartfelt, laugh out loud buddy movie, written and directed by actress Ryann Liebl. This film, in the vein of Bridesmaids mixed with Grumpy Old Men, takes the audience on a journey of what it means to be a woman and balance life.