Come Find Me is a story about a mother and daughter facing major life changes and how their love challenges and sustains them.
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Fred lives on his own. His wife is dead, his son has left. He leans on the church, busses, meat-and-two-veg. Then Leo appears. Leo is a tramp. Fred lets Leo move in with him. An absurdist feature debut with a laugh and a tear in stuffy Netherlands.
In this third and final chapter of the ‘Perfect Stranger Trilogy’, Nikki Cominskey, now in her 40’s and no longer a high-powered attorney, finds that the spiritual life she signed on for is not all it was cracked up to be – leading to a second, and defining, encounter with the Son of Man.
A supernatural thriller centered on three people — a blue-collar American, a French journalist and a London school boy — who are touched by death in different ways.
In 1892 Lizzie Borden lives a quiet life in Massachusetts under the strict rules established by her father. Lizzie finds a kindred spirit in the live-in maid, Bridget, and friendship soon blossoms into a secret romance. But tension mounts in the Borden household, leading to a violent breaking point.
When a small town gets plunged into the nightmare of serial killings, rookie cop Arjan embarks on a chase for the truth and unravels a gruesome conspiracy.
Diagnosed with ovarian cancer, iron-willed journalist Sheng Nan (“Surpass Men” in Chinese) is pressured to make a quick fortune and find mind-blowing sex before the costly surgery numbs her senses. Taking on a businessman’s biography writing job, she hikes into the misty mountains, where a chain of outbursts with her dysfunctional family, grumpy client, misogynistic co-worker and dreamlike romantic interest hilariously unfold. As deeply moving as it is luminously witty, writer-director Teng Congcong’s debut waltzes across the bitterness swallowed by her generation of women born under China’s One Child Policy, unprecedentedly burdened to “surpass men” while trying not to be “leftover women” at the same time. Saluting the 18th-century Chinese literature classic Dream of the Red Chamber in its title, the enchanting gem refreshes the novel’s transcendent contemplation on desire, death and womanhood from a modern cinematic perspective.
Cultural critic David Kepesh finds his life — which he indicates is a state of “emancipated manhood” — thrown into tragic disarray by Consuela Castillo, a well-mannered student who awakens a sense of sexual possessiveness in her teacher.
A woman struggles to escape the clutches of her overbearing, co-dependent mother, while gradually falling for a sexy, sophisticated attorney.
In June 2002, Elizabeth Ann Smart (Alana Boden) was a 14-year-old girl when she was abducted from her Salt Lake City home by religious fanatic Brian David Mitchell (Skeet Ulrich). He brought her to a hilly encampment where, with his twisted accomplice Wanda Barzee (Deirdre Lovejoy), he held Elizabeth captive. She was starved, drugged, raped and subjected to bizarre religious rituals until, nine months later, she enabled her own rescue.
Mato Grosso do Sul, Brazil, the present. When a young Guarani-Kaiowá woman commits suicide, Nádio leads his community to form a protest camp on the borders of a local farm that sits on their ancestral burial ground.
